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자료유형
학술저널
저자정보
저널정보
한국로렌스학회 D. H. 로렌스 연구 D. H. 로렌스 연구 제19권 제2호
발행연도
2011.1
수록면
61 - 83 (23page)

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Written shortly before D. H. Lawrence left Europe to set out on a long journey to America, “The Captain’s Doll” indicates a new direction in his fictional writing. There is not only a noticeable change of attitude in the treatment of marital relationship, but also a significant formal change. Coupled with the new adoption of a short novel form, the conspicuous symbolic deployment distinguishes this novella from his earlier works. The main symbol referred to in the title, which is present from beginning to end, plays a predominant role throughout the novella. The doll acts as a catalyst for the plot development. Also it is a subtle medium through which the feelings and inner state of the characters are conveyed. Most importantly, the ‘doll’ symbol is charged with rich suggestiveness and philosophical implications regarding the theme of Western ideal of ‘love,’ idealism and egoism; the doll implies, among others, the mechanical attributes of the conscious ego, the monadic entity cut off from the cosmic life flow; moreover, to make a doll of someone means to make a ‘picture’ or a fixed idea of him, depriving him of his individuality or otherness. This paper aims to scrutinize the doll’s various roles and symbolic meanings, together with the symbol of glacier, and to clarify how they serve to illuminate the essential nature of the relationship between the two main characters, Hannele and Captain Hepburn. As a result, the outstanding symbolic device of this novella turns out to be an integral part of its artistic achievement, bearing witness to the author’s unflagging creative inventiveness.

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