메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국아랍어아랍문학회 아랍어와 아랍문학 아랍어와 아랍문학 제18권 제3호
발행연도
2014.1
수록면
109 - 128 (20page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
The paper surveys narrative techniques as shown in Muhammad al-Bisati's short story. Along with his fellows of the Sixties Generation writers in Egypt, al-Bisati endeavored after appropriate techniques that may reflect the social and political changes, and express the spirit of his times properly. His short story A Dim Light Reveals Nothing can be regarded as an exemplary work that witnesses the author's continuous efforts. The short story is about a small village The Revolution, a troop of soldiers, has come to. The people of the village experience an unprecedented day with the soldiers who utterly refrain from communication. The paper finds that the author, while narrating the scenes, adroitly utilizes metaphor and metonymy, inducing the reader to participate positively in the narrative. The author attempted to represent the places and the characters through metaphorical and metonymic description, and finally projected an image of a panopticon on the village captured by The Revolution. However, the author posed -or seemed to do so- a question; who is the real prisoner? It was ironical that The Revolution/watchers were in fact the watched, as they were surrounded by the people, and could move only in the darkness like the criminals. The paper concludes that the literary work is a political discourse in the first place, and is at the same time an allegory of the power and the powerful. The work is narrated alternatively by the first person of a little boy, and the third person of a grown-up, that renders the irony of the panopticon more lively and vivid.

목차

등록된 정보가 없습니다.

참고문헌 (11)

참고문헌 신청

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0