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This paper aims to re-think and demonstrate black women based on the philosophy of ‘womanism’ in Alice Walker’s third novel, The Color Purple, which helped her to be one of the most popular comtemporary American writers. This novel is composed of a form of a letter in which the heroine, Celie, writes the letter to God.
Alice Walker’s ‘womanism’ and the word of ‘womanish’ are originated from the traditional spoken language of Black South Community. It has the concept of universal and humanistic vision, excluding all the categories like race, gender and class. It also pursues to eradicate the distinctions and oppressions from the society.
The black woman, Celie lose her identity by mental and physical discrimination within white and male-centered society. This novel shows a constant oppression and persecution of the general black women in the framework of inequality. It suggests the progress of black women’s struggles for their right as a human being against the visible and invisible pressures from the society. In the last part of the novel, Celie finally builds up her own identity through the true friendship with the other black women like Shug, Sofia, and her sister Netti who’ve resisted to the old and traditional concept in white and male-centered society. Walker even presents us with the gradual change of the male heros, Albert and Harpo, who’ve been changed to be out of the typical stereotype as a dominator.
In the long run, through these womanish characters’ steady change and growth, Walker strongly claims the significant value of her ‘womanism’ philosophy embracing universality and multinational integration.
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참고문헌 (16)
참고문헌 신청
Allan, Tuzyline Jita / 1995 / Womanist and Feminist Aesthetics / Ohio UP
Christian, Barbara / 1989 / The Black Woman Artist as Wayward in Harold Bloom, in: Modern Critical Views / Chelsea House : 40 ~
Collins, Patricia Hill / 1996 / What’s In a Name? Womanism, Black Feminism, and Beyond / The Black Scholar 26 (1) : 11 ~ 12
Conner,Kimberly Rae / 1994 / Conversations and Visions in the Writings of African-American Woman / U of Tennessee P
Harris, Trudier / 1984 / On the Color Purple, Stereotypes, and Silence / Black American Literature Forum 18 (4) : 156 ~ 157
Christian, Barbara / 1989 / The Black Woman Artist as Wayward in Harold Bloom, in: Modern Critical Views / Chelsea House : 40 ~
Collins, Patricia Hill / 1996 / What’s In a Name? Womanism, Black Feminism, and Beyond / The Black Scholar 26 (1) : 11 ~ 12
Conner,Kimberly Rae / 1994 / Conversations and Visions in the Writings of African-American Woman / U of Tennessee P
Harris, Trudier / 1984 / On the Color Purple, Stereotypes, and Silence / Black American Literature Forum 18 (4) : 156 ~ 157
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