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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This paper aims to examine Toni Morrison’s consistent struggle of remaining whole in this incomplete world in which human beings’ freedom has been restricted. Her job for the truth is to recover the past and re-envision the future by exorcising the trauma, both personal and historic. She makes the African American history including traditional black music and their experiences condensed to the individual and manifested his or her self image in her novels especially through women who suffered from triple discrimination in terms of race, sex, and class.
Jazz deals with the transformation of tragic relationship of a love triangle. Morrison explores African Americans’ sorrows, secrets and violent past, tracing their inside cracks caused by the cutoff from ancestors and family. Morrison uses the improvisational quality of jazz music as a narrative strategy to make Jazz a talking book. As Joe and Violet reconstruct their identity through struggling married life, Morrison shows healing process to those who survive the violent confrontation with the repressed past.
In conclusion, Morrison exorcises black people’s cycle of trauma in generations and each of them comes to realize the power of his own voice in the process of healing, transformation and insight by narrating his life and defining himself as a subject. Morrison discovers and celebrates the dynamic force and firm determination that have enabled generations of African American to survive.
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참고문헌 (19)
참고문헌 신청
Angelo, Bonnie / 1994 / The Pain of Being Black, In Conversation with Toni Morrison / UP of Mississippi : 255 ~ 261
Badt, Karin Luisa / 1995 / The Roots of the Body in Toni Morrison / African American Review 29 : 210 ~ 243
Baker, Houston A. Jr. / 1984 / Blues, Ideology, and Afro-American Literature: A Vernacular Theory / Univ. of Chicago P
Carabi, Angels / 1995 / Interview with Toni Morrison / Belle Letters 10 (2) : 40 ~ 43
Cutter, Martha J / 2000 / The story Must Go On and On: The Fantastic, Narration and Intertextuality in Toni Morrison’s Beloved and Jazz / African American Review 34 (1) : 78
Badt, Karin Luisa / 1995 / The Roots of the Body in Toni Morrison / African American Review 29 : 210 ~ 243
Baker, Houston A. Jr. / 1984 / Blues, Ideology, and Afro-American Literature: A Vernacular Theory / Univ. of Chicago P
Carabi, Angels / 1995 / Interview with Toni Morrison / Belle Letters 10 (2) : 40 ~ 43
Cutter, Martha J / 2000 / The story Must Go On and On: The Fantastic, Narration and Intertextuality in Toni Morrison’s Beloved and Jazz / African American Review 34 (1) : 78
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