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A meaning Study of the Oriental Aesthetics of South Korean Films - Taking Along with the Gods : The Two Worlds as an Example -
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Type
Academic journal
Author
Lan-Rong Shi (ShangQiu Normal University)
Journal
The Korean Entertainment Industry Association Journal of the Korea Entertainment Industry Association Vol.13 No.6 KCI Accredited Journals
Published
2019.8
Pages
87 - 94 (8page)
DOI
10.21184/jkeia.2019.8.13.6.87

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A meaning Study of the Oriental Aesthetics of South Korean Films - Taking Along with the Gods : The Two Worlds as an Example -
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South Korean films narrate exquisitely, express emotions implicitly and employ magnificent images, exemplifying unique oriental aesthetics. This paper takes Along with the Gods: The Two Worlds (2017) as an example to analyze the meaning of oriental aesthetics in South Korean films using the Film Narrative Theory. It is a fantasy blockbuster depicting family kinship stories. It structures with the familiar karma and reincarnation of Asian Buddhism with the core of family kinship. Perfectly interpreting the fantasy world of hell with stunning movie effects, it shows the family kinship of families under the main plot line of a horror film.
#Taking Along with the Gods #South Korean film #oriental aesthetics #meaning #narrative Features #신과 함께 #한국 영화 #동양 미학 #의미 #서사 분석

Contents

ABSTRACT
Ⅰ. Introduction
Ⅱ. Narrative Oriental Implication of Along with the Gods : The Two Worlds
Ⅲ. Plot Analysis of Along with the Gods : The Two Worlds
Ⅳ. The Oriental Flavor of Characters in Along with the Gods : The Two Worlds
Ⅴ. Conclusion
References
요약

References (10)

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Song Jialing / 2006 / The Narrative of Film ＆ TV / Chinese media Press google schola Peng Jixiang / 2002 / Film Aesthetics / Peking University Press google schola Li Xianjie / 2000 / Film Narrator : Theory and Practice / China Film Press google schola Zhang Yan / 2018 / Industrial Upgrading and Blockbuster Highlight: Review of South Korean Films 2017-2018 / Movie Review (21):1~6 google schola Yin Hong / 2019 / The Memo of Chinese Film Industry in 2018 / Film Art (2):33~45 google schola

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