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Subject

Study on the Buddhist Elements in Gammoyeojaedo (Minhwa-style Shrine Paintings)
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민화 감모여재도(感慕如在圖)의 불교적 성격

논문 기본 정보

Type
Academic journal
Author
Jung Hyun (한국민화센터)
Journal
한국민화학회 한국민화 No.6 KCI Candidated Journals
Published
2015.12
Pages
122 - 145 (24page)

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Topic
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Result
Study on the Buddhist Elements in Gammoyeojaedo (Minhwa-style Shrine Paintings)
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Abstract· Keywords

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This study examines some elements of Buddhism contained in paintings titled Gammoyeojaedo (literally meaning “painting for [the ceremony of ancestral] veneration [as if held] at home”), which have been generally regarded as paintings made for the ancestral worship ceremony held according to the Confucian tradition during the Joseon Period (1392-1910). The main discussion focuses on two objects depicted in the paintings: the shrine hall at the center whose appearance is uniquely different from ordinary Confucian shrine buildings, and; a pair of vases placed on the altar, which are very rarely used at a Confucian ceremony. The “alien” form of the shrine building and the altar with a pair of vases placed on both sides are analyzed in detail to reveal the Buddhist influence on the painting.
The conclusion of the discussions made in this study can be summarized as follows. First, most of the buildings depicted on the paintings show the appearance of Buddhist temple buildings rather than Confucian shrine halls. As for multi-story buildings, they appear in the works collected by the Brooklyn Museum in New York and Leeum Samsung Museum in Seoul; thus, the archetype can be traced to the guardian temples maintained in royal palaces by the royal households of Joseon as part of the tradition of honoring royal ancestors through both Confucian and Buddhist ceremonies. Second, the symmetrical arrangement of a pair of vases on both sides of the altar reflects the influence from the altars in Buddhist dharma halls as clearly shown by many paintings of Buddha Giving a Sermon and dharani illustrations produced in the past. Finally, the arrangement of food offerings together with flowers came from the Buddhist tradition of holding memorial services for the dead every first and fifteenth days of the lunar month. As suggested by this summary, a considerable part of the remaining “shrine paintings” of Joseon exhibit a strong Buddhist influence as represented by the Buddhist-style altars prepared in a shrine characterized by Buddhist architectural features, while there are also works painted for Confucian ceremonies. The paintings show that the ancestral worshippers of Joseon created religious paintings in two different styles according to their religion, i.e., Confucianism and Buddhism.
The works of Gammoyeojaedo by the Buddhists of Joseon were intended to remember and honor their ancestors and to pray for the repose of the departed souls according to the Buddhist tradition. The users of these paintings wanted a Buddhist ceremony held at a Buddhist shrine because they believed that it would bring them and their ancestors Buddha’s mercy and compassion and guide them to a more blissful life. The paintings were, for Joseon’s ordinary Buddhist followers, shrines for their own guardians.

Contents

Ⅰ. 머리말
Ⅱ. 감모여재도의 불교적인 배경
Ⅲ. 감모여재도에 등장하는 사찰 형태의 전각과 의미
Ⅳ. 감모여재도의 제단과 감로탱
Ⅴ. 맺음말
참고문헌
국문초록
Abstract

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UCI(KEPA) : I410-ECN-0101-2019-380-000955628