지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
There have been many theories about the Afrasiab Paintings since modern times. In general, the painting is regarded as a reflection of a Samarkand painter’s worldview which is based on his imagination, and the contents of the painting is not necessarily true. Also, it is difficult to provide accurate information about the painting because it have been damaged so much, and it is difficult to present a theory nearly everyone agrees because there are so few historical records left by the Sodgians.
However, in this paper, the interpretation of the painting will be suggested. First, what principles had been applied to construct the painting? The painting accepted and reflected the Four Emperor worldview. Second, different scholars present many theories about what the west-side of the painting described. Although the painting have seriously damaged, the contents of this west-side of the painting are a picture of Western Turk(西突厥) Illig Beg Shekuei Qaghan(乙毗射匱可汗) and Fuhuman(拂呼縵)-King of Samarkand being paid tribute together. Of course, the painting necessarily correspond to historical facts, but we can see from the painting that the Samarkand people were quite confident. Thirdly, there is a theory about the period and purpose of the Goguryeo(高句麗/高麗) ambassadors in the painting, but the envoy in the painting were sent to Samarkand and Xue-Yantuo(薛延陀) from Yeon Gaesomun(淵蓋蘇文) when Emperor Tai-zong(唐太宗) of Tang dynasty attacked Goguryeo.
Based on the several contexts, in my opinion, that the giant man on the horse in the north-side painting is not the Emperor Gaozong(唐高宗), but the Emperor Taizong. Emperor Taizong promoted his warrior charisma by making songs like Qinwangpozenyue(秦王破陣樂), which was accepted by Indians at the time. Therefore, based on all these information, re-identifying the age of painting is necessary.
However, in this paper, the interpretation of the painting will be suggested. First, what principles had been applied to construct the painting? The painting accepted and reflected the Four Emperor worldview. Second, different scholars present many theories about what the west-side of the painting described. Although the painting have seriously damaged, the contents of this west-side of the painting are a picture of Western Turk(西突厥) Illig Beg Shekuei Qaghan(乙毗射匱可汗) and Fuhuman(拂呼縵)-King of Samarkand being paid tribute together. Of course, the painting necessarily correspond to historical facts, but we can see from the painting that the Samarkand people were quite confident. Thirdly, there is a theory about the period and purpose of the Goguryeo(高句麗/高麗) ambassadors in the painting, but the envoy in the painting were sent to Samarkand and Xue-Yantuo(薛延陀) from Yeon Gaesomun(淵蓋蘇文) when Emperor Tai-zong(唐太宗) of Tang dynasty attacked Goguryeo.
Based on the several contexts, in my opinion, that the giant man on the horse in the north-side painting is not the Emperor Gaozong(唐高宗), but the Emperor Taizong. Emperor Taizong promoted his warrior charisma by making songs like Qinwangpozenyue(秦王破陣樂), which was accepted by Indians at the time. Therefore, based on all these information, re-identifying the age of painting is necessary.
목차
序論
一、壁畫的系統性及其世界觀問題
二、颯秣建王拂呼縵與西突厥之關係
三、『萬國入朝突厥圖』中的高麗人與壁畫創作年代問題
四、『唐人遊玩行樂圖』中的大號武士原型問題
参考文献
논문초록
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
唐太宗 高句麗 親征과 唐軍의 병력 - 군량으로 추산한 唐軍의 수와 그 함의 -
군사
2022 .09
-
Some Chinese Words Misunderstood by the Jungar Tuvan Informants
중앙아시아연구
2021 .12
-
한국 문화콘텐츠 시장에서의 활용을 위한 튀르크 설화 발굴
중동문제연구
2018 .06
-
탈소비에트 투르크 공화국들의 문자개혁과 과제
한국이슬람학회 논총
2016 .01
-
奚与突厥关系考论
몽골학
2016 .01
-
[대상] 벽화가 예쁜 우리 동네
국토
2015 .11
-
基于经筋理论探讨太极拳训练对慢性腰肌劳损的临床应用
인문사회 21
2023 .02
-
경계를 넘어서: 동아시아 시각에서 본 고구려 벽화
아시아리뷰
2021 .04
-
누구를 위하여 종은 울리나
계간 외교
2015 .04
-
[Company Insight] 에그드랍 논란과 과제_혁신 꺼냈지만 ‘달걀로 바위치기’일까
더스쿠프
2021 .08
-
다시 그라인다드랍
현장과광장
2019 .11
-
중국어‘拖拉类(pull)’류 동사의 어휘유형론 연구
중국연구
2023 .03
-
이슬람화 이전 투르크 구비문학의 특징과 갈래분류에 관한 연구
한국이슬람학회 논총
2020 .01
-
멕시코 벽화의 조형기호학적 커뮤니케이션 전략 연구 : 프레임 분석을 중심으로
비교문화연구
2023 .02
-
터키 튀르크 민속 출생의례에 대한 고찰 -산전속(産前俗)과 산후속(産後俗), 작명민속을 중심으로-
지중해지역연구
2018 .01
-
[PHILANTHROPY] 불길 속 어린 남매 구한 정인근 소방경 ‘LG 의인상’ : 암 수술 후 2주 만에 복대 차고 현장 복귀
인사이트코리아
2017 .12
-
2019 국가균형발전 프로젝트에 따른 전랍구도 예타면제사업, 의의와 과제
[Jthink] Issue Briefing
2019 .01
-
비트코인 A to Z_에어드랍 없이 지속가능한 코인은 없나
한경BUSINESS
2024 .07
-
도시재생사업에서 마을의 벽화조성이 범죄예방에 미치는 효과 - 부산 매축지 벽화마을을 중심으로
한국도시설계학회지 도시설계
2020 .08
-
알타이 투르크족의 카이치 전통 연구
한국중동학회논총
2016 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0