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자료유형
학술저널
저자정보
신정아 (한국외대)
저널정보
한국외국어대학교 대만연구센터 대만연구 대만연구 제13호
발행연도
2018.12
수록면
43 - 60 (18page)

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초록· 키워드

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Korean travel program has changed significantly since the mid-2000s. It was on August 5, 2007 that the narrative of the new travel began. A program called 〈1 night and 2 days〉 was newly added to the Sunday evening program which was broadcasted on Korean Public Broadcasting station KBS 2TV. The format of 〈1 night and 2 days〉 was a concept that six entertainers composed of comedian, singer and actor traveled together. The difference with the existing travel program was that it was not an information based program to visit and introduce the destination. Rather, the episode that took place while traveling was the main story of the program. It was a real variety that emphasized the appearance of the performers enjoying the trip without any script.
tvN"s 〈Better Late Than Never〉 broadcasted on July 5, 2013 was a program organized by the production team of 〈1 night and 2 days〉. 〈1 night and 2 days〉 were the subject of domestic travel, the concept of 〈Better Late Than Never〉 is more like backpacking abroad. Also, while the performers of 〈1 night and 2 days〉 were entertainers in their 20s to 40s, the average age of performers of 〈Better Late Than Never〉 was 76 years. It had a concept of a backpacking tour project of the elders. The performers were four actors working on Korean TV and screen for many years. The production team parodied the pin-up boys called F4 in popular drama 〈Boys Over Flowers〉 and made the character H4 after the first consonant of "Halbae", which means grandfather in Korean. H4 was set in order of age, Lee Soon-jae (H1), Shin Gu (H2), Park Geun-hyung (H3) and Baek Il-seop (H4). Deep friendship, trust and consideration act as the main motif of the program. This program showed the process of creating memories of life vividly, considering the safety and health problems of old age trip.
In this study, we analyze the episode, interview and image reproduction method the performers experienced on Taiwan episode of 〈Better Late Than Never〉. Through this, we would like to reveal the significance and limitations Taiwan episode of 〈Better Late Than Never〉 have as travel program.

목차

Ⅰ. 들어가며: 여행의 새로운 서사, 리얼 버라이어티
Ⅱ. 〈꽃보다 할배〉 대만 편 방송 개요
Ⅲ. 대만 편 방송의 세 가지 키워드
Ⅳ. 〈꽃보다 할배〉 대만 재현의 한계점
Ⅴ. 나가며: 새로운 소통의 지평을 위하여
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