지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Bak, Du Jin on the poetic theory of korea in the liberation era was evaluated that his poems are the examples of showing literary eternity, university, possibility as world literature in Korean literature, with future possibility of vision, harmonization of eastern and western thought. This evaluation was possible because Cheungnyeon-Munhakga-Hyeobwhoy thought that Bak, Du Jin’s poems are practical model with realizable possibility of new poetry in the Korean literature.
The concern for Cheunglokpa and Bak, Du Jin in the korean literary society in liberation era was related, closely, to the theoretical groping and plan on poetic nature, value, poesy and literary history unfold after liberation. These works were developed with a center of Cheungnyeon-Munhakga-Hyeobwhoy and had important meanings because they included the plans which put together ‘thought of poetry and aesthetic values’ of the oppositional theses in the sphere of politics of poetry.
The plan which put Cheunglokpa and Bak, Du Jin in the place of ‘the last successor’ of colonial literature of Korean poetry and make as a ‘legitimate child’ of new poetic literature to be built just after liberation was included in the evaluation to Cheunglokpa and Bak, Du Jin at that time. Therefore, in the common place of Jo, Yeon Hyeon’s, Kim, Dong li’s, Seo, Jeong Ju’s plan was a model of Bak, Du Jin and they unfold diverse theme-method of creating poems, poetic theory, aesthetics and thought, literary university, world literature, tradition and modern-through the processes the locating Bak, Du Jin as a kind of ‘New epoch’ connecting and cut off between ‘colonial age and after liberation era’ at the same time.
The concern for Cheunglokpa and Bak, Du Jin in the korean literary society in liberation era was related, closely, to the theoretical groping and plan on poetic nature, value, poesy and literary history unfold after liberation. These works were developed with a center of Cheungnyeon-Munhakga-Hyeobwhoy and had important meanings because they included the plans which put together ‘thought of poetry and aesthetic values’ of the oppositional theses in the sphere of politics of poetry.
The plan which put Cheunglokpa and Bak, Du Jin in the place of ‘the last successor’ of colonial literature of Korean poetry and make as a ‘legitimate child’ of new poetic literature to be built just after liberation was included in the evaluation to Cheunglokpa and Bak, Du Jin at that time. Therefore, in the common place of Jo, Yeon Hyeon’s, Kim, Dong li’s, Seo, Jeong Ju’s plan was a model of Bak, Du Jin and they unfold diverse theme-method of creating poems, poetic theory, aesthetics and thought, literary university, world literature, tradition and modern-through the processes the locating Bak, Du Jin as a kind of ‘New epoch’ connecting and cut off between ‘colonial age and after liberation era’ at the same time.
#해방기 순수시론
#박두진
#청록파
#자연의 발견
#입법의 시
#세계문학
#청년문학가협회
#조선문학가동맹
#poetic theory in liberation era(解放期詩論)
#Bak
#Du Jin(朴斗鎭)
#Cheunglokpa(靑鹿派)
#discovery of nature(自然發見)
#Ib-beob-wui-si(立法의 詩, poetry of legislation)
#world literature(世界文學)
#Cheungnyeon-Munhakga-Hyeobwhoy(靑年文學家協會)
#Joseon-Munhakga-Dongmang(朝鮮文學家同盟)
목차
[국문초록]
1. 서론: 해방기와 청록파, 한국시의 새로운 출발점
2. 자연, 전통의 재발견과 ‘시정신’이라는 보편성
3. 해방기 시론의 지향점과 박두진
4. 결론: 박두진과 해방 직후 청년문학가협회의 시적 기획
Abstract
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UCI(KEPA) : I410-ECN-0101-2017-710-001621798