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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제64권 제8호
발행연도
2014.12
수록면
155 - 163 (9page)

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This study is designed to examine how the female body, as shown in Korean modern figure paintings, is expressed as an object for one’s gaze and the meaning behind it. The study analyzed the entries displayed during the Joseon Arts Exhibitions from 1922 to 1944, for a total of 23 times. The exhibition entries are considered to be the representative sources in regards to the history of Korean modern arts. This study examined the artistic works, which portrayed the female body as an object for gaze. Literature research was conducted to look into the general background of modern society in Korea and the significance of the body as an object for gaze, and empirical study was also performed to analyze the female body in modern figure paintings. This research reveals how the bodies of modern Korean women were seen under the structure of power. It is believed that the process of criticizing and complementing the bodies of Korean women, which was distorted by Japan, may lead to an objective analysis of the aesthetic consciousness of the Korean female bodies.

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UCI(KEPA) : I410-ECN-0101-2017-381-000746791