지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
It goes without saying that Yi Mae-Bang, as the sole owner of two of the intangible cultural assets including No. 27 Seungmu in 1987 and No. 97 Salpuri Chum, is a top-notch Korean traditional dancer. Moreover, in regards to traditional clothing, he is also known as the only traditional dancer who directly performs on stage as well as analyzes traditional clothing in order to apply them into his own dance performances by designing and producing them to meet his artistic spirit. In order to examine how Yi Mae-Bang`s unique and creative stage clothing was developed, and what kind of process it went through to possess its unique style, which draws the attentions of people with its harmony of beauty and dance, this research first examined the change of the composition through the yearly picture data. Before 1984, the composition of the Salpuri Chum clothes changed by putting on `Jeogori` on the `Mudong-Bok` without the `Kweia` (sleeveless), and in 1999 `Mudong-Bok` became widened with the decoration of embroidered hem making it more attractively colorful. after 2000 it became more splendidly adorned by embroidering hem on widened Mudong-Bok and tucking `Kweja` in the layers which created silhouette like a dress that is seemingly wider and luxuriant than a skirt. One of notable features of Yi Mae-Bang`s Salpuri is that its cloth and cuff ribbons are lightly colored in different colors enclosing the tip part. As for the ribbons, it was also changed as time went by from direct-cutting of the cloth just like the A-line of Mudong-Bok to drawing a diagonal line less than 5cm above the ribbon and 8cm below the ribbon so that it takes the form of getting widened as it gets to the lower part, and its length was also elongated in proportion to that of the bottom of Mudong-Bok.
목차
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참고문헌 (30)
참고문헌 신청
1. [학술지(정기간행물)] - 김경희 / 1999 / 무용 예술 의상에 관한 연구 (47) : 126 ~
2. [학위논문] - 김지원 / 2009 / 이매방류 민속춤에 표현된 복식의 조형성 / 석사 / 성균관대학교 대학원
3. [단행본] - 송수남 / 1989 / 한국무용사 / 금광 : 291 ~
4. [단행본] - 국립문화재연구소 / 1998 / 중요무형문화재 제97호 살풀이춤 / 신유문 : 46 ~ 47
5. [단행본] - 김영희 / 2006 / 2005년도 한국 근현대예술사 구술채록연구 시리즈67 이매방 / 한국문화예술위원회 : 235 ~ 236
2. [학위논문] - 김지원 / 2009 / 이매방류 민속춤에 표현된 복식의 조형성 / 석사 / 성균관대학교 대학원
3. [단행본] - 송수남 / 1989 / 한국무용사 / 금광 : 291 ~
4. [단행본] - 국립문화재연구소 / 1998 / 중요무형문화재 제97호 살풀이춤 / 신유문 : 46 ~ 47
5. [단행본] - 김영희 / 2006 / 2005년도 한국 근현대예술사 구술채록연구 시리즈67 이매방 / 한국문화예술위원회 : 235 ~ 236
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UCI(KEPA) : I410-ECN-0101-2017-381-000745623