지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The aim of this thesis is to investigate the change of men and women`s costumes in late 18th century and early 19th century in view of its ideological streams by examining the portraits of the painter Jacques-Louis David. The method of investigation used was to select 29 pieces of portraits from 1766 to 1825, which showed the clear descriptions about the costumes and to analyze the costume`s forms, ornaments and the headdress. The category was divided into 3 stages in terms of the changes in costume. The first stage, from 1766 until 1788, is the one of turnaround from the Rococo costume to the early neoclassical one. The typical Rococo costume was incrementally transformed into a simpler design without ornaments, and then natural silhouette in men and women`s costumes started to appear from 1783 until 1788. This might be attributed to the neoclassical trend which was affected by the enlightenment ideology. The second stage, from 1788 until 1795, is the period of change from the costume of the early neoclassic style to the typical neoclassic style and also the time from the 1793 to 1795 was regarded as the peak of neoclassic style when the effect of enlightenment began to decrease while one of neoclassicism exerted its strong influence on the costume. The third stage, from 1795 until 1825, similar to the previous neoclassical style was also notable in its turning into producing the empire dress of Empire style. From 1820 on, it was a period that showed signs of influence from romanticism while the effect of neoclassicism started to become more diminished.
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
이 논문과 함께 이용한 논문
나폴레옹의 초상화를 통한 사상적 조류 변화에 따른 복식 변화 고찰
배수정
복식
2016
.09
제리코의 〈메뒤즈 호의 뗏목〉에 구현된 동시대성과 재앙에 관한 기억 : 죽음, 공포, 광기 그리고 개인적 상실감의 시각화
신상철
서양미술사학회논문집
2017
.08
Marie Antoinette의 초상화를 통해 본 18세기 후기 여성 복식의 변화와 계몽주의 사상 : 1770-1793을 중심으로
배수정
복식
2012
.01
다비드의 회화에 나타난 프랑스혁명의 평등사상 연구
박화선
서양미술사학회논문집
2012
.08
다비드, 그의 예술과 권력의 상관 관계
이유경
서양미술사학회논문집
2001
.06
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2017-381-000745092