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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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The goal of this dissertation is to analyze various Romantic styles appearing in modern fashion based upon the `Difference` theory developed by Michel Foucault. The characteristics that represent `difference` in change of dress style are absence and resemblance. They are derived from the Foucault`s interpretations of `difference` represented in the paintings by Velazquez and Magritte. The formative characteristics of the Romantic style dress in the 19th century are suppression of body, fixed form, volume, and ornamentation. And the aesthetic values of that are subordination, sensuality, and maternity. The formative characteristics of the Romantic style that have appeared since 1980s is analyzed according to absence and resemblance. The results are as follows: first, absence in fashion means that body is more emphasized than dress represented by omitting part or the entire of dress or using the transparent materials. In modern fashion, absence also frees the body from dress and creates ambiguity of boundaries between body and dress. Another characteristic of the absence is lessening the volume, which means the size of dress remains still big but the weight is lightened. Second, resemblance means the formative similarities between the Romantic style of the 19th century`s and that of modern fashion created through using modern technology and materials. The characteristics of the resemblance are the fixed form, lessening of volume of the dress and ornamentation. Feminine beauty inherent in the original, such as subordination, sensuality, and maternity, looses its symbolic meaning and what is created is a new combination of images and signifiant that contain no or uncertain meanings. Thus totally new and different Romantic style is created. The Romantic style in modern fashion changed into the appropriate style to the modern society under various conditions such as designer`s will, postmodernism, changes of femininity and technology.
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참고문헌 (54)
참고문헌 신청
1. [단행본] - Young, A / 1937 / Recurring Cycles of Fashion / Harper and Row : 107 ~ 124
2. [학술지(정기간행물)] - Kroeber, A / 1919 / On The Principle of Order in Civilization as Exemplified by Changes of Fashion / American Anthropologist 21 : 235 ~ 263
3. [학술지(정기간행물)] - Richardson, J / 1940 / Three Centuries of Women's Dress Fashion: a Quantitative Analysis / Antropological Records 5 (2)
4. [학위논문] - 구미지 / 1998 / 버슬스타일을 중심으로 본 유행의 주기성 연구 / 석사 / 서울대학교 대학원
5. [단행본] - Kubler, G / 1962 / The shape of time-Remark on the history of things / Yale University Press : 8 ~ 10
2. [학술지(정기간행물)] - Kroeber, A / 1919 / On The Principle of Order in Civilization as Exemplified by Changes of Fashion / American Anthropologist 21 : 235 ~ 263
3. [학술지(정기간행물)] - Richardson, J / 1940 / Three Centuries of Women's Dress Fashion: a Quantitative Analysis / Antropological Records 5 (2)
4. [학위논문] - 구미지 / 1998 / 버슬스타일을 중심으로 본 유행의 주기성 연구 / 석사 / 서울대학교 대학원
5. [단행본] - Kubler, G / 1962 / The shape of time-Remark on the history of things / Yale University Press : 8 ~ 10
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UCI(KEPA) : I410-ECN-0101-2017-381-000742920