메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제29권
발행연도
1996.8
수록면
143 - 158 (16page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
It was the year of 1903 when avantgarde artists in Vienna gave a birth to the Wiener Werkstaette under the influence of Aesthetic Movement and Guild of Handicraft from England. This study is on the backgrounds of the birth of the Wiener Werkstaette, its artistic motto and world-wide echo it provoked. This thesis goes back to the time when the decadent Wiener Secession shaped up, refiewing the Reform Movement, It also covers characteristic works of major members of the Wiener Werkstaette which were produced on the basis of the concept of Gesmtkunstwerk. The conclusion of this study is that; 1. Without losing its own specific features, various fields of formative arts were combinded together coherently and succeeded to realize the idealistic art, that is the composite are (Gesamtkunstwerk) 2. The Wiener Werkstaette was strongly opposed to the ready-made clothes which became popular as the society was Industrialized and commercialized. Unlike those ready-to-wear clothes, those members of the Wiener Werkstaette prefered to make each clothes with different materials and printed their own unique pattern designs. 3. As a result of close relationships between the Wiener Werkstaette and paul Poiret, `Studio Martine` was established in Pares and new patteren deslhns were introduced by Raoul Dufy. 4. After the break-out of World War One, cultural exchanges with other foreign countries were virtually cut off and the Wiener Werkstaette was disconnected from the influence of Paris. That was the motive for Wiener Werkstaette to start building up its unique artistic style with peculiar materials, techniques and methods of production. Those brisk and creative activities of the Wiener Werkstaette brought forth "the Golden perlod of 1920`s" 5. Its historic design and ornamental pattern were assessed as a prelude to the Post-modernism. Since the late 1970s, with the rediscovery of the culture of Vienna in 1900s, the Art to wear which was created by the `Wiener Werkstaette` but, unfortunately, tucked away by the Greate Depression and Nationalism has been revaluated and studied. In Korea, it was since 1985 when `the art to wear` began to gain attention widely. It is urged that the theory of the `Gesamtkunstwerk` should be also accepted and shared earnestly.

목차

등록된 정보가 없습니다.

참고문헌 (0)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2017-381-000767592