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논문 기본 정보

자료유형
학술저널
저자정보
안재식 (한양대학교) 장경태 (용인대학교) 고윤영 (용인대학교) 이성노 (한양대학교)
저널정보
한국체육과학회 한국체육과학회지 한국체육과학회지 제24권 제6호 (인문사회과학 편)
발행연도
2015.12
수록면
25 - 35 (11page)

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초록· 키워드

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This study analyzes Hyesan(惠山) Yusuk(劉淑)’s 「Daequaedo(大快圖)」and tries to examine Gwanghwaemun(光熙門) and Gurigae(Junggu) Taekkyon, which make up the painting’s background, and Taekkyon’s matches, philosophy, and so on in the painting. This aims to provide a basic document that allows people to see Taekkyon – the people’s physical and living culture in late Joseon dynasty – with the right point of view and perspective. The deducted conclusion is as follows. First, in 「Daequaedo」’s background Gwanghwaemun actually existed Taekkyon groups, and this was the area in which masters such as Park Mu Gyung and Kim Hong Sik were active; we were able to check these through historical sources. Also, due to the characteristics of Gyeollyeon Taekkyon, in which groups competed by being divided into two groups of the upper and lower group, we can assume that the upper Taekkyon group living inside the castle and the lower Taekkyon group living outside the castle gathered around Gwanghwaemun to play in Taekkyon matches. Second, through 「Daequaedo」, we can learn that Taekkyon matches were a form of practical games that could take place whenever, wherever without separate equipment, and that in these matches the use of hands was limited but feet were used to attack the opponents’ bodies. Also, seeing from the form of the two Taekkyon players’ feet and distance in the painting, we can know that established dignity and laws of rules were used. Third, we can make certain that the characters of various age groups and social status classes that appear in「Daequaedo」aimed for grand unification called accompaniment, and that those were coming true through the medium of Taekkyon and ssireum(Korean wrestling). When it comes to this study, we must realize that there’s a slight limit to analyzing the absolute forms of Taekkyon at the time with a single painting, overcome these problems from now on and make continuous research and analysis based on much more various historical sources come true in order to establish the right history and identity of the traditional martial arts, Taekkyon.

목차

Abstract
Ⅰ. 서론
Ⅱ. 광희문(光熙門)과 구리개(중구) 택견
Ⅲ. 「대쾌도(大快圖)」속 엔터테인먼트
Ⅳ. 「대쾌도(大快圖)」를 통해 본 택견 경기
Ⅴ. 「대쾌도(大快圖)」를 통해 본 택견 철학
Ⅵ. 결론
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UCI(KEPA) : I410-ECN-0101-2016-692-002293186