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자료유형
학술저널
저자정보
문지현 (조선대학교)
저널정보
대한일어일문학회 일어일문학 日語日文學 第68輯
발행연도
2015.11
수록면
227 - 240 (14page)

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초록· 키워드

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It is the nursery rhyme poet who Misuzu Kaneko runs early in the Showa era from last years of the Taisho era, and played an active part. Misuzu Kaneko leaves 512 poetry in the short period of approximately five years. The work of Misuzu Kaneko creates sympathy to all people of the man and woman, age and youth in spite of the nursery rhyme for children. The work of Misuzu Kaneko is bright and moral and positive. In this report, I arrange a person image of Misuzu Kaneko whom a student of the poetry of Misuzu Kaneko created and the world of her poetry. I consider the visual power of observation to divide me and others appearing in her work in the basis in it well into.
In the conventional study, the study of the Misuzu Kaneko poetry was the theme that the study of her eyes through the introduction of feelings was important. Even this report does not deny such a theory. But Misuzu Kaneko knows that there are two viewpoints for the relations with me and others for deeper consideration in this report. In addition, she tended to regard the connection with others as important in the root of eyes of the introduction of feelings. In other words, She lived with the feeling that she was going to regain to the world before she was established because she was not able to live in peace in the reality world.

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Abstract
1. 머리말
2. 가네코 미스즈 시의 공생적 성격과 양의성
3. 작품 속의 ‘나’와 ‘타자’
4. 맺음말
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