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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
중앙대학교 일본연구소 일본연구 일본연구 제36집
발행연도
2014.2
수록면
347 - 361 (15page)

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This paper conducts study on Yanagi Muneyoshi’s aesthetic theory of crafts. Yanagi is a scholar who introduced arts during the period of Chosun dynasty to Japan. He also criticized Japan’s atrocities vociferously. Even though there are people who think Yanagi is humanist, the predominant view is that his view on Chosun’s arts and crafts remained orientalism reflecting those days. Orientalism is the colonial conception of history that rulers judge and conduct research on subjects one-sidedly. I also think that Yanagi cannot disengage from such suspicions completely according to his works on Chosun’s arts. But It is also excessive that only one book studying Chosun’s arts in the middle of complete works set (22 books) can formulate his all thoughts. Thus, this paper focuses on the society’s trend at that time and his stream of studying on crafts. Not crafts as a purpose of appreciation but that of application. That is Yanagi’s serious pursuit of the real crafts. In my opinion, his deep affections on Chosun’s art originated from his ardor for crafts. My study reaches one point that he just didn’t prefer goods disregarding unknown makers. He had the utmost respect for common people’s handwork started as use and their lives using the goods preciously. By these clues, we can infer that he faced Chosun’s art in the same spirit. If so, it is a key opening a new land for the studies on Yanagi that we better focus on his attitude toward crafts rather than interrogate on his character.

목차

1. 머리말
2. 야나기와 공예미론
3. 민예를 발견한 눈
4. 맺음말
参考文献
Abstract

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UCI(KEPA) : I410-ECN-0101-2016-830-002000081