지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The translation of 『Konzakumonogatarisyu』 following 『Nihonryouiki』 showed the process of interpreting Chinese classics into Wakankonkoubun and the compiler realized the process based on various and elaborate plots.
Above all, 『Nihonryouiki』 laid emphasis on ‘genpou’ and ‘reii’ of its titles, whereas 『Konzakumonogatarisyu』 reflected the entire organization and plot of the work into each title.
In terms of unfolding the text, 『Konzakumonogatarisyu』 did not translate the text in consecutive order, but created the context by retouching and revising the text according to the intent. However, excessive dilated statements might have a reverse affect on literary accomplishments that duplicated descriptions could loosen the story.
With regard to ‘heigo’, some texts were founded on 『Nihonryouiki』, but most of them were changed. As mentioned above, whereas reflecting the entire plot of the work, there seemed some discordance in ending the story with irrelevant lessons of life.
In addition, mistranslation made 『Konzakumonogatarisyu』 different from the original. While translating difficult Chinese writings, the compiler misunderstood the text or changed the text in order to justify his errors. As [Sakimori] or [ubasoku] showed, the disappearance or change of social situations in the era of 『Konzakumonogatarisyu』 could be the factor of mistranslation, which composed of literary characteristics of 『Konzakumonogatarisyu』.
Above all, 『Nihonryouiki』 laid emphasis on ‘genpou’ and ‘reii’ of its titles, whereas 『Konzakumonogatarisyu』 reflected the entire organization and plot of the work into each title.
In terms of unfolding the text, 『Konzakumonogatarisyu』 did not translate the text in consecutive order, but created the context by retouching and revising the text according to the intent. However, excessive dilated statements might have a reverse affect on literary accomplishments that duplicated descriptions could loosen the story.
With regard to ‘heigo’, some texts were founded on 『Nihonryouiki』, but most of them were changed. As mentioned above, whereas reflecting the entire plot of the work, there seemed some discordance in ending the story with irrelevant lessons of life.
In addition, mistranslation made 『Konzakumonogatarisyu』 different from the original. While translating difficult Chinese writings, the compiler misunderstood the text or changed the text in order to justify his errors. As [Sakimori] or [ubasoku] showed, the disappearance or change of social situations in the era of 『Konzakumonogatarisyu』 could be the factor of mistranslation, which composed of literary characteristics of 『Konzakumonogatarisyu』.
목차
1. 머리말 – 번역의 의미
2. 제목 변화의 의도
3. 창의적 변용의 양상
4. 오역의 양상과 그 원인
5. 맺음말
参考文献
Abstract
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UCI(KEPA) : I410-ECN-0101-2016-830-002000016