지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper analyses the message of the new life in a “Syuppatu” described at Toson’s 4th collection of short stories “Bihuu”. First, it explores about the meaning of the wall clock described in that work, It turned out that it is functioning as a metaphor which is the representation of the past married life since it says that it is a wife’s keepsake in which it passed away, and symbolizes an uncle’s present life. Moreover, it can be interpreted as the start having multistory implications a new start called marriage of Osetsu, and an uncle’s new start in a novel “Syuppatu”.
Although the “Syuppatu” escapes the restraint called ‘Ice of Life’ and suggests the new way of self-help, there, it traced that the posture as an observer who has bound himself for a long time was thrown away, and the writer who tried to find out a hope of new life was reflected.
It should be observed that the “Bihuu” is the collection of short stories announced at the time which Toson who faced the life crisis what is called of ‘The Incident of the New Life’ chose the escape journey to France. Especially, it seems that “Syuppatu” is a work of representing “Bihuu”. At the same time, it has a point of contact in a various field with works which announced almost simultaneously, such as “Ie”, “Shinsei”, “Umie”, and “Arashi”.
Although the “Syuppatu” escapes the restraint called ‘Ice of Life’ and suggests the new way of self-help, there, it traced that the posture as an observer who has bound himself for a long time was thrown away, and the writer who tried to find out a hope of new life was reflected.
It should be observed that the “Bihuu” is the collection of short stories announced at the time which Toson who faced the life crisis what is called of ‘The Incident of the New Life’ chose the escape journey to France. Especially, it seems that “Syuppatu” is a work of representing “Bihuu”. At the same time, it has a point of contact in a various field with works which announced almost simultaneously, such as “Ie”, “Shinsei”, “Umie”, and “Arashi”.
목차
1. 들어가며
2. 『식후』에서 『미풍』으로
3. 아내 부재의 현실과 괘종시계의 의미
4. 신체성에의 관심과 오세쓰의 결혼
5. ‘생의 얼음(生の氷)’으로부터의 탈출
6. 나오며
参考文献
Abstract
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UCI(KEPA) : I410-ECN-0101-2016-830-002000238