Anthropological filmmaking helps to make the meaning and function of Ethnographic film communicate to audience. We remembered a documentary film, <Nanook of the North> directed by Robert Flaherty. This ethnographic film was a good film to tell the story which shows native life and exotic atmosphere till 1930. The new style of ethnographic film appeared in 1960 at France. The first of cinema verite was known by <Chronicle of a Summer> made by Jean Rousch and Edgar Morin. They try to introduce new recording technology and participate to filmmaking with prudence by producer. As the result they can make ture ethnographic film which influences to international film director like Truffauo and Godard‘s fiction film. In Korea Lee, Mungwoong who introduce a ethnographic film ask what is ethnographic film? He answered that ethnographic film requires for cinematography and ethnography to meet over the technic combination. The ethnographic film shows to interpreter all things about recording through the all course of filmmmaking in frame work. In this thesis I will discuss a ethnographicness film as a new fiction genre through I introduce and discuss on the method of making <The children of Sanzes> and <The fly of dung>. I study a ethnographicness film as a new fiction genre. Firstly I hope appearing the new Korean film to contribute keeping Korean identity. Secondly I pursue the identity theory of Korean film aesthetics based on the preceding western sysmetical film theory. Lastly I expect that the ethnographicness film will restore Korean identity film aesthetics which shows our true customs and thought through Korean film culture. I expect that this study will be contributed to make Korean film for keeping the identity of Korean film culture.