지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The most representative sacrificial ritual of Mayan civilization was the ritual of decapitation. The decapitation ritual normally took place at monuments related to ball-games such as Ball court of Chichen Itza, Yucatan and Izapa, Chiapas of Mexico. And the decapitated face appeared in stelae, painted wall or vase painting. The origin of ball-game could be found in ‘Popol Vuh’. Ball-games are a metaphor representing the journey of the Sun in the underground world after sunset. The Sun of the underground world is Venus. Venus must fight against the gods of the underground world to rise again as the Sun. Since the Maya king is Maize God, the movement of Venus and Sun represened the work of Maya king. During Mayan times the ball-game was believed to regenerate the universe, especially maize cultivation. In the ball-game, dropping the ball symbolized the decapitation of the head and rolling the ball symbolized regeneration. The blood from the decapitated head was considered to represent the maize grain lines on the corn cob. The ball representing the decapitated head and the maize grain lines representing the blood are essential elements for regeneration. The relationship between blood and maize lies in the regenerative character of both. Cutting the ball player’s head represented the cutting of the ripened maize plant. The Maya king who was also the Maize God, was a principal ball player in the ball game. He died by decapitation and must be regenerated in the underground world. The meaning of the sacrificial ritual of decapitation stems from the sacrifice of the Maize God and his regeneration. It is a ritual to keep the order of universe at the same time the Mayan kingship properly.
목차
1. 머리말
2. 공놀이에 나타난 ‘단두의례’
3. 공놀이, 잘린 머리 및 피의 상징
4. 맺는 말
참고문헌
Abstract
참고문헌 (29)
참고문헌 신청
고혜선 / 2005 / 마야인의 성서 포폴부 / 여름 언덕
정혜주 / 2011 / 고전기 마야문명 공놀이의 주인공들 / 스페인어문학 (59):357~383
Barba Pina Chan, Beatriz / 1990 / Buscando raices de Mitos mayas, Historia de la religion en Mesoamerica y aeas afines, In II COLOQUIO / UNAM :9~57
Barba Pina Chan, Beatriz / 2000 / Las dos serpientes de la estela 23 de Izapa, In Iconografia mexicana II / INAH :133~142
Barba Meinecke, Helena / 2000 / El circulo como simbolo de la serpiente, In Iconografia mexicana II / INAH :143~150
정혜주 / 2011 / 고전기 마야문명 공놀이의 주인공들 / 스페인어문학 (59):357~383
Barba Pina Chan, Beatriz / 1990 / Buscando raices de Mitos mayas, Historia de la religion en Mesoamerica y aeas afines, In II COLOQUIO / UNAM :9~57
Barba Pina Chan, Beatriz / 2000 / Las dos serpientes de la estela 23 de Izapa, In Iconografia mexicana II / INAH :133~142
Barba Meinecke, Helena / 2000 / El circulo como simbolo de la serpiente, In Iconografia mexicana II / INAH :143~150
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UCI(KEPA) : I410-ECN-0101-2016-380-001507653