지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study aimed to explore ‘things’ reflected by publications of the later Ming
dynasty through ‘Zhengqi(爭氣)’ series generated in Jianyang Area of China in the 1620s. Things mentioned herein mean man-made and natural structures, phenomena and incidents as visible or imaginable ‘objects.’ The later Ming Dynasty was a prime period of the publication industry and the edited type publications. Edited publications mean publications collecting, arranging and publishing works written by original authors. ‘Zhengqi’ series is made up of 7 series initially developed by a renowned novelist and editor, Deng Zhimo (鄧志謨) but another authors following Jianyang produced its subsequent series. Unlike general publication types at that time, those publications did not go through final alteration, introduction remarks or comment by famous figures but were published only by publication experts working for publishing firms. The way ‘Zhengqi’ series was made up and thought was deeply influenced by the then popular knowledge of natural history. According to traditional learning methods, man has to gain the single principle piercing things but ‘Zhengqi’ series enumerates, in parallel, things with no absolute prerequisites. This parallel structure is opposed to the traditional concept of reasoning. However, ‘Zhengqi’ series as a commercial publication mainly pursues after pleasure, for which they re-quote and transform cannons. Types of ‘things’ expressed by ‘Zhengqi’ series have much to do with discourse on ‘things’ explored by the then elites. Literary people, who were influential at that time, analyzed relation between things, the self and the society through ‘connoisseurship literature.’ ‘Zhengqi’ and ‘connoisseurship literature’ all selected the material-centeredness. Besides, they states their excellence through comparison between both. In ‘Zhengqi’ series, however, we can’t find worries over the social fluctuation of the later Ming Dynasty expressed by ‘connoisseurship literature’ and the desire to express the self. On the contrary, ‘Zhengqi’ series insinuates antagonism towards discourse on ‘things,’ insisting that mutual competition in this way should have no fundamental significance.
dynasty through ‘Zhengqi(爭氣)’ series generated in Jianyang Area of China in the 1620s. Things mentioned herein mean man-made and natural structures, phenomena and incidents as visible or imaginable ‘objects.’ The later Ming Dynasty was a prime period of the publication industry and the edited type publications. Edited publications mean publications collecting, arranging and publishing works written by original authors. ‘Zhengqi’ series is made up of 7 series initially developed by a renowned novelist and editor, Deng Zhimo (鄧志謨) but another authors following Jianyang produced its subsequent series. Unlike general publication types at that time, those publications did not go through final alteration, introduction remarks or comment by famous figures but were published only by publication experts working for publishing firms. The way ‘Zhengqi’ series was made up and thought was deeply influenced by the then popular knowledge of natural history. According to traditional learning methods, man has to gain the single principle piercing things but ‘Zhengqi’ series enumerates, in parallel, things with no absolute prerequisites. This parallel structure is opposed to the traditional concept of reasoning. However, ‘Zhengqi’ series as a commercial publication mainly pursues after pleasure, for which they re-quote and transform cannons. Types of ‘things’ expressed by ‘Zhengqi’ series have much to do with discourse on ‘things’ explored by the then elites. Literary people, who were influential at that time, analyzed relation between things, the self and the society through ‘connoisseurship literature.’ ‘Zhengqi’ and ‘connoisseurship literature’ all selected the material-centeredness. Besides, they states their excellence through comparison between both. In ‘Zhengqi’ series, however, we can’t find worries over the social fluctuation of the later Ming Dynasty expressed by ‘connoisseurship literature’ and the desire to express the self. On the contrary, ‘Zhengqi’ series insinuates antagonism towards discourse on ‘things,’ insisting that mutual competition in this way should have no fundamental significance.
목차
1. 들어가며
2. ‘爭奇’시리즈의 출판과 관련된 몇 가지 쟁점
3. 博物的 분류, 脫계보적 배치
4. 遊?를 위한 전통의 활용
5. 명대 文人들의 ‘物’ 담론과 상업출판
6. 나오며
參考文獻
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
중국 당대 문학출판 제도의 성립과 변화 ― ‘17년 시기’(1949-1966)를 중심으로
중국어문학논집
2020 .02
-
북한출판물에 대한 수용자들의 인식 유형에 관한 연구
주관성 연구
2017 .01
-
명대 말기 ‘도상의 범람’ 과 삽화에 대한 인식
중국어문학논집
2015 .06
-
김소월 「산유화」에 나타나는 「춘망사」의 영향
춘원연구학보
2024 .12
-
｢미스터 맨｣(Mr. Men) 시리즈 인물을 통한 사회 문화적 가치 수용
동화와 번역
2020 .01
-
정지용의 시 「말」 연구
한국시학연구
2017 .11
-
근대 지식 수용 과정에서 헐버트 시리즈 교과서의 의의
어문학
2020 .03
-
조선총독부의 통계행정기구 변화와 통계자료 생산
사림
2015 .01
-
朝鮮王朝“三唐”詩人的宗唐詩風與元明詩學
열상고전연구
2015 .08
-
일본 내무성 경보국 발행 검열 문건에서 확인되는 조선 및 조선인 관련 자료의 의미
한국언어문학
2017 .01
-
권위적 神會에서 합리적 信賴로: 미술품 감정의 미래가치
숭실사학
2021 .12
-
Guest Editor’s Introduction: East Asia as a Method of Research and History Behind the Publication of This Special Issue
International Journal of Buddhist Thought and Culture
2021 .12
-
근대 일본과 조선의 음반 검열 양상 - 일본의『出版警察報』와 조선의『朝鮮出版警察月報』를 중심으로 -
일어일문학연구
2019 .01
-
五山禪僧의 對中國 집단학습활동을 통한 관련 지식 축적 및 인식 전파에 관한 연구(3)- 글로 배운 중국, 目睹한 중국 -
인문학연구
2024 .09
-
일제강점기 제국 일본에서의 조선인 관련 출판 검열 연구
한국근대문학연구
2022 .10
-
Mapping Speech Act Studies (2000-2020): A Bibliometric Analysis
영어학
2022 .01
-
1970년대 출판시장의 변동과 문단의 재편-문학과지성사를 중심으로
인문과 예술
2018 .01
-
일제강점기 영화와 출판 검열의 연동과 변화 양상
한국언어문학
2015 .01
-
일본 근대아동교양총서『소학생전집』의 간행양상에 대한 연구
일본연구
2023 .03
-
『清華簡·伍』「命訓」에 관한 소고
중국어문학논집
2016 .10
이 논문의 저자 정보
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-820-001609975