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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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Interests in `ours` such as `tradition`, `reality` and `Korean(韓國)` are increased when there is a situation stimulating them, in other words, when external influence is appeared or the condition is given. `Korean painting(韓國畵)` should be also grasped. In the mid-1950s, Cheongkang Kim, Young-ki(晴江 金永基, 1911~2003) advocated `national painting(國畵)` and `new Korean painting(新韓國畵)` when our traditional painting circles were about to advance to international stage. And then, Korean artistic circles in the 1970s after the 1960s encountered regular situation of contemporary art, globalization of art and development of artistic market. So, developmental aspect of Korean painting in the 1980s shows a series of responses from interests in `ours` to our `reality`, furthermore, `contemporaneity`.
Active experiences and seeking including `ink wash painting movement` in Korean painting area of the 1980s were very noticeable and there were lots of discussions about them. But, it means that external conditions and situations were more deepened. Actually, representative modifiers attached to Korean painting of the 1980s were `depression`, `problems` and `prospect` and it`s supported by the fact interests of people and artistic circles in Korean painting were rapidly reduced from 1986. Finally, Korean painting was thoroughly excluded in Olympiad of art and Korean contemporary art exhibition which were planned as a part of 1988 Seoul Olympics cultural event, so `alienation of Korean painting` was visualized. This thesis intended to go back to the 1980s when fierce discussions about Korean painting were displayed and consider the aspects so as to diagnose the process of `alienation of Korean painting`. It can be an essential process to continue following discussions in connection with current situation of Korean painting.
Active experiences and seeking including `ink wash painting movement` in Korean painting area of the 1980s were very noticeable and there were lots of discussions about them. But, it means that external conditions and situations were more deepened. Actually, representative modifiers attached to Korean painting of the 1980s were `depression`, `problems` and `prospect` and it`s supported by the fact interests of people and artistic circles in Korean painting were rapidly reduced from 1986. Finally, Korean painting was thoroughly excluded in Olympiad of art and Korean contemporary art exhibition which were planned as a part of 1988 Seoul Olympics cultural event, so `alienation of Korean painting` was visualized. This thesis intended to go back to the 1980s when fierce discussions about Korean painting were displayed and consider the aspects so as to diagnose the process of `alienation of Korean painting`. It can be an essential process to continue following discussions in connection with current situation of Korean painting.
목차
Ⅰ. 30년 전으로 돌아가기
Ⅱ. 전통에서 현실로, 한국화에서 현대미술로
Ⅲ. 국제화 시대의 한국화
Ⅳ. 문제적 사건: `88서울올림픽 《세계현대미술제》
Ⅴ. `한국화`의 소외, 그 이후
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UCI(KEPA) : I410-ECN-0101-2016-650-001087624