지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This thesis is a study on `Honor Guard Procession(儀伐出行)` in the Northern Dynasties by analyzing the mural paintings and pottery figures produced during the period. The honor guard procession took place when there were imperial tours and rites in ancient East Asia. Each dynasty established strict regulations on the ceremonial guard system.
Old Chinese documents on imperial honor guard processions dealt with the topic Lubu(鹵簿). They often included visual materials such as illustrations. Early Chinese dynasties regarded the Lubu system as one of the crucial elements of their stated ceremonies and produced drawings and illustrations called ` Lubutu(鹵簿圖)`.
In this study, the main focus is on mural tomb and pottery figures excavated from the Northern Dynasties Tombs. An analysis of the discoveries revealed that the ceremonial guard procession of Northern Wei was established based on the honor guard of the Han, Wei-Jin dynasties and characterized by an increased number of ceramic tomb guardian warriors, saddled horses, and ox-drawn carriages forming the main part of the guard and a tendency of fusion of clothing between the Han people and Northern people. The materials also suggested the arrival of new images and artistic styles under the influence of the Western Regions and Buddhism.
The Eastern Wei, Northern Qi, Western Wei, and Northern Zhou dynasties also operated their own systems. The honor guard processions of these dynasties are depicted vividly in panoramic style at the tombs of Wan Zhang(灣?), Lou Rui(婁叡), Xu Xianxiu(徐顯秀), and Li Xian(李賢). Most of the murals are on the walls of passages leading to the burial chamber, exhibiting significant development in artistic style and techniques particularly with regard to the arrangement of procession and portrayal of human figures. Archaeologists also discovered ceramic guardian figures whose number and ceremonial decoration represented the social status of the tomb owners. These honor guard processions as expressed by paintings and sculptural works help create a funeral ceremony in a three-dimensional manner. The discoveries suggest that the resting place prepared along with the artistic representation of an honor guard ceremony was intended to comfort the spirit of the deceased leader and help him continue the same luxurious life he had led when he was still alive.
Old Chinese documents on imperial honor guard processions dealt with the topic Lubu(鹵簿). They often included visual materials such as illustrations. Early Chinese dynasties regarded the Lubu system as one of the crucial elements of their stated ceremonies and produced drawings and illustrations called ` Lubutu(鹵簿圖)`.
In this study, the main focus is on mural tomb and pottery figures excavated from the Northern Dynasties Tombs. An analysis of the discoveries revealed that the ceremonial guard procession of Northern Wei was established based on the honor guard of the Han, Wei-Jin dynasties and characterized by an increased number of ceramic tomb guardian warriors, saddled horses, and ox-drawn carriages forming the main part of the guard and a tendency of fusion of clothing between the Han people and Northern people. The materials also suggested the arrival of new images and artistic styles under the influence of the Western Regions and Buddhism.
The Eastern Wei, Northern Qi, Western Wei, and Northern Zhou dynasties also operated their own systems. The honor guard processions of these dynasties are depicted vividly in panoramic style at the tombs of Wan Zhang(灣?), Lou Rui(婁叡), Xu Xianxiu(徐顯秀), and Li Xian(李賢). Most of the murals are on the walls of passages leading to the burial chamber, exhibiting significant development in artistic style and techniques particularly with regard to the arrangement of procession and portrayal of human figures. Archaeologists also discovered ceramic guardian figures whose number and ceremonial decoration represented the social status of the tomb owners. These honor guard processions as expressed by paintings and sculptural works help create a funeral ceremony in a three-dimensional manner. The discoveries suggest that the resting place prepared along with the artistic representation of an honor guard ceremony was intended to comfort the spirit of the deceased leader and help him continue the same luxurious life he had led when he was still alive.
목차
Ⅰ. 머리말
Ⅱ. 北朝 의장출행의 변천 양상과 특징
Ⅲ. 북조 의장출행 제재의 성행과 도상적 연원
Ⅳ. 북조 고분미술의 의장출행에 반영된 祭儀
Ⅴ. 맺음말
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UCI(KEPA) : I410-ECN-0101-2016-650-001087588