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논문 기본 정보

자료유형
학술저널
저자정보
Carlos Fernández González (Universidad Hankuk de Estudios Extranjeros)
저널정보
한국외국어대학교 중남미연구소 중남미연구 중남미연구 제32권 제1호
발행연도
2013.2
수록면
89 - 113 (25page)

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초록· 키워드

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Writing about the work of Ricardo Piglia is not only writing about one of the most well?known fiction writers in Spanish language, but also writing about one of the brightest and most influent literary critics and theorists nowadays. All of Piglia’s fictions require a double reading: about the fiction itself and, at the same time, about the implicit reflection that makes its deployment possible. Throughout the reading of his latest novel, Blanco nocturno (2010), this paper analyzes some key aspects of the work of the Argentinean writer, such as self?referentiality, literary tradition, the concept of paranoid fiction, of literary character, and the mixture of genres and narrative tenses. With such a purpose, we will resort to the theorizations of Piglia himself about the narrative as well as to his declarations in different interviews, through which the composition of Blanco nocturno is directly or indirectly revealed. The information provided by the author about his work contributes to the creation of a new text, and point out to the queries about the aesthetic and political possibilities of the fiction.

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Abstract
Ⅰ. Introduccion: autorreferencialidad y teoria de la ficcion
Ⅱ. Blanco nocturno, una ficcion paranoica
Ⅲ. La novela argentina
Ⅳ. La relacion autobiografica y literaria
Ⅴ. El discurso anacronico
VI. Conclusiones
Bibliografia

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