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논문 기본 정보

자료유형
학술저널
저자정보
전영미 (동주대학교)
저널정보
한국실내디자인학회 한국실내디자인학회 논문집 한국실내디자인학회 논문집 제23권 제6호
발행연도
2014.12
수록면
105 - 114 (10page)

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초록· 키워드

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This study is intended to identify various reasons on the ‘body’ of women described in the paintings by Le Corbusier. As a great artist in the field of modern architecture, various figures of ‘body’ of women he painted were not a mere physiological body of a woman but a meaningful figure combined with many different types of concept in the social and cultural context. In the field of art, body is recently seen as a ‘tool for thinking’ that studies dealing with it are being actively conducted. Seen in this context, it is feasible to read the situations and causes at that time through movement and changes in the figure of women’s bodies described in his painting. Even if it was a speculative inference, this study aimed examining what reasons and perspective Le Corbusier had when painting women’s bodies and what massage he intended to convey. Reasons on the ‘bodies’ of women derived in this study serve as an essence of mentality in understanding the spatial design that was constructed around the time of period. Adopting a different view from many of previous studies in the aspect of skills and spaces, it was intended to study changes in the complex and integrated causes in both spatial design and painting and re-interpret an essence of mentality of the spatial design in the humanistic approach according to the notions in society and culture.

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Abstract
1. 서론
2. 초기회화에서 여성의 몸에 대한 사유
3. 후기회하에서 여성의 몸에 대한 사유
4. 결론
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UCI(KEPA) : I410-ECN-0101-2016-619-000953240