지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
The object of this thesis is to compare the motif of ‘letter’ and the visualization strategy between Iwai Shunji’s novel 〈Love Letter〉and his film 〈Love Letter〉，Asada Giro"s novel 〈Love Letter〉and Song, Hae-Sung’s film 〈Failan〉.
Iwai Shunji’s novel 〈Love Letter〉and his film 〈Love Letter〉describe Hujii’s story who failed her first love relationship, and Hiroco’s story who can not be able to forget the passed away fiance. But the novel 〈Love Letter〉shows how Hujii and Hiroco overcome their sorrow of parting through exchanging mailed letters on an equal footing. On the other hand, the film 〈Love Letter〉focuses on her inner healing processes that Hujii got to know the truth of first love and affection of family. Especially, the film 〈Love Letter〉expresses the theme well through the cinematic technique such as montage and cross cutting.
Asada Giro’s novel 〈Love Letter〉 and the film 〈Failan〉 are commonly searching for a woman’s unconditional love which changes a man’s pitiful life. But the novel 〈Love Letter〉 emphasizes a emotional effect of the letter which Failan’ courteous and thankful letter draws flaring anger and blame for the violent reality from the protagonist Goro. On the other hand, the film 〈Failan〉equally focuses on the ruined life of Lee, Gang-Jae and the ill fate of foreign worker Failan. Also it effectively expresses the love of between the two which transcends time and space through the cinematic technique such as long take, cross cutting.
In conclusion, on the one hand the film 〈Love Letter〉and 〈Failan〉 accept the storyline and the theme of the original works, but on the other they are successfully differentiated from the original through the director’s new interpretation and image grammar.
Iwai Shunji’s novel 〈Love Letter〉and his film 〈Love Letter〉describe Hujii’s story who failed her first love relationship, and Hiroco’s story who can not be able to forget the passed away fiance. But the novel 〈Love Letter〉shows how Hujii and Hiroco overcome their sorrow of parting through exchanging mailed letters on an equal footing. On the other hand, the film 〈Love Letter〉focuses on her inner healing processes that Hujii got to know the truth of first love and affection of family. Especially, the film 〈Love Letter〉expresses the theme well through the cinematic technique such as montage and cross cutting.
Asada Giro’s novel 〈Love Letter〉 and the film 〈Failan〉 are commonly searching for a woman’s unconditional love which changes a man’s pitiful life. But the novel 〈Love Letter〉 emphasizes a emotional effect of the letter which Failan’ courteous and thankful letter draws flaring anger and blame for the violent reality from the protagonist Goro. On the other hand, the film 〈Failan〉equally focuses on the ruined life of Lee, Gang-Jae and the ill fate of foreign worker Failan. Also it effectively expresses the love of between the two which transcends time and space through the cinematic technique such as long take, cross cutting.
In conclusion, on the one hand the film 〈Love Letter〉and 〈Failan〉 accept the storyline and the theme of the original works, but on the other they are successfully differentiated from the original through the director’s new interpretation and image grammar.
목차
Ⅰ. 들어가기
Ⅱ. 과거의 소환과 존재의 호명
Ⅲ. 영화 〈러브 레터〉와 영화 〈파이란〉의 영상 미학
Ⅳ. 나가기
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UCI(KEPA) : I410-ECN-0101-2016-910-000995775