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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In the year 2013, the number of annual cinema audiences surpassed 213 million in Korea. Among them, the Korean films attracted more than 127 million audiences. Both are the best records in Korean film history. Picture house attendances are distinctly on the increase again this year. There are two movies that already achieved breaking the domestic record for over10million tickets in the first quarter of 2014. In spite of this growing, ironically, there are some uncertainties disturbing the growth of Korean film industry. First of all, major companies’ vertical integration such as CJ, Lotte, is coming to absolute power over the whole film industry. The next thing is the dinky size of the secondary film market. Furthermore, there is an urgent issue, ‘the Film development fund’. The Film development fund is a public support fund based on the Act on the promotion of the film and video. It has been charged 3% at a movie ticket price from 2007. This fund plays a meaningful role to reduce the imbalance of Korean film industry and promote cultural diversity and public interest. The problem is that the collection of this fund is going to be ended by the year 2014. The balance of this fund is currently around 250 billion won and without any other support it is likely to be used all up before 2020.
This study tries to grasp the point of arguments around the extension of the Fund and to find a solution. To achieve its goal, we research the world’s leading system, French film support policy. This successful story, the French support scheme over 60 years being continued, will help us suggest an alternative future of the Film development fund that can satisfy all the members of the Korean film industry.
This study tries to grasp the point of arguments around the extension of the Fund and to find a solution. To achieve its goal, we research the world’s leading system, French film support policy. This successful story, the French support scheme over 60 years being continued, will help us suggest an alternative future of the Film development fund that can satisfy all the members of the Korean film industry.
목차
1. 서론
2. 프랑스 영화정책
3. 영화발전기금의 재정비에 대한 제언
4. 결론
참고문헌
Abstract
참고문헌 (1)
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UCI(KEPA) : I410-ECN-0101-2016-688-000997647