지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The aim of this paper is to clarify the difference, comparing The Study of Sean O’casey, Yu Chijin’s graduation thesis with Sean O’casey, A Dramatist and Former Laborer which published in The Joseonilbo, a newspaper and to explain the reasons why he accepted Sean O’casey and the characteristics of his acceptance.
Yu Chijin’s graduation thesis consisted of two parts, Sean O’casey’s biological introduction and the special features of his performance. He wrote that since Sean O’casey supported Irish laborer classes actively, he came to suffer oppression from Irish nationalists. He also made much of Juno and the Paycock as the work which described well the reality of laborer who was in the sadness through farcical technique.
In the article published in The Joseonilbo, Yu Chijin tried to explain Sean O’casey’s special features from theatrical people’s point of view who worked in colonized Chos?n. He explained that because Sean O’casey knew exactly Irish audience’s taste of drama, he gained high popularity and the farcical elements of drama became his distinguishing characteristics. He also appreciated that Sean O’casey made the most of the case which didn’t show in the stage and succeeded in intensifying the theme of drama.
The reasons why Yu Chijin accepted Sean O’casey had difference according to the time of acceptance. He was interested in Sean O’casey from the anarchistic point of view when he studied in the university of Rikkyo in Japan. At that time he judged Sean o’casey as the writer with the same viewpoint as himself. After returning home, he gave attention to Sean O’casey’s eminent techniques of playwriting which insured easily the popularity of performance. It was because he thought of these techniques as the useful method of creation under the Japanese censorship in colonized Chos?n. The acceptance like this came to have great influence on his drama. So Yu Chijin’s ‘Romantic Realism drama’ which he insisted in the late of 1930s was his own creating techniques made from Sean O’casey’s characteristics.
Yu Chijin’s graduation thesis consisted of two parts, Sean O’casey’s biological introduction and the special features of his performance. He wrote that since Sean O’casey supported Irish laborer classes actively, he came to suffer oppression from Irish nationalists. He also made much of Juno and the Paycock as the work which described well the reality of laborer who was in the sadness through farcical technique.
In the article published in The Joseonilbo, Yu Chijin tried to explain Sean O’casey’s special features from theatrical people’s point of view who worked in colonized Chos?n. He explained that because Sean O’casey knew exactly Irish audience’s taste of drama, he gained high popularity and the farcical elements of drama became his distinguishing characteristics. He also appreciated that Sean O’casey made the most of the case which didn’t show in the stage and succeeded in intensifying the theme of drama.
The reasons why Yu Chijin accepted Sean O’casey had difference according to the time of acceptance. He was interested in Sean O’casey from the anarchistic point of view when he studied in the university of Rikkyo in Japan. At that time he judged Sean o’casey as the writer with the same viewpoint as himself. After returning home, he gave attention to Sean O’casey’s eminent techniques of playwriting which insured easily the popularity of performance. It was because he thought of these techniques as the useful method of creation under the Japanese censorship in colonized Chos?n. The acceptance like this came to have great influence on his drama. So Yu Chijin’s ‘Romantic Realism drama’ which he insisted in the late of 1930s was his own creating techniques made from Sean O’casey’s characteristics.
목차
1. 서론
2.『숀 오케이시 연구』와 릿쿄(立?)대학생 유치진
3.『노동자 출신의 극작가 숀 오케이시』와 극예술연구회의 유치진
4. 유치진에게 있어서 숀 오케이시의 의미－마무리를 겸하여
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UCI(KEPA) : I410-ECN-0101-2016-810-000969892