지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.12
- 수록면
- 53 - 74 (22page)
- DOI
- 10.14431/aw.2014.12.30.4.53
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초록· 키워드
오류제보하기
This study explores how Anping, one of the most significant cultural centers in Asia, has been transformed into a gendered space. To read Anping as a gendered space, this paper, based upon news reports and intensive interviews with participating agents in the community, will focus on the only two officially designated women"s landmarks in the region as the subjects of textual analysis. I will show the process of the production and representation of Lin Mor Niang Park and the statues of Miss Jin as well as her mother. First, I will analyze how metaphors of gender inscribed in the landmarks are employed to reinforce dominant gender stereotypes. Next, I will explore how the women"s landmarks have turned into the most desirable forms of contemporary cultural capital related to a growth in tourism and a shift towards an entrepreneurial form of urban governance. Indeed, gender is not only constitutive of, but virtually indispensable to, the configuration of the place. In contrast to the current masculine version of Anping’s map, which is full of military and colonial landmarks, this study seeks to enrich Anping’s outlook by identifying significant sites particularly associated with female representatives of their time. My purpose is to produce a new way to understand the city’s cultural landscape by locating women’s stories in the mapping of Anping’s history. By representing the new visual modalities such as Lin Mor Niang Park and Miss Jin’s statue into the current mapping, this study can contribute to what might be called a feminist politics of place construction.
목차
Abstract
Introduction
Re-mapping Anping
The Legend of Lin Mor Niang and Matsu Culture
The Cultural Politics of Naming
Representing a Dutiful Daughter
Gendered Space as Cultural Capital
The Legend of Miss Jin
Constructing a City Image
Conclusion
References
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