지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper examines aesthetic issues related to the Lake Tai rocks, ugly and strange stones that were celebrated as valuable items in Chinese garden culture. The underlying purpose of the study is to better understand the origin of petromania literature starting during the first half of the ninth century of Tang China. More importantly, it contributes to a deeper appreciation of the relationship between beauty and ugliness in Chinese literati’s thoughts.
Based on existing sources, “A Pair of Rocks,” written by Bo Juyi in 826, is the first poem of the Lake Tai rocks in the history of Chinese literature. The poet was sympathetic toward its ugly and strange configurations. In 839, however, only twelve years after the poem was written, Bo Juyi, Liu Yuxi, and Niu Sengru gathered in Niu’s rock garden and expressed unanimous acclaim of the stone as a rarity. Such change of perception shows that the Lake Tai rocks began to be appreciated as an aesthetic object. The cult of the Lake Tai rocks is vividly described in “The Record of the Lake Tai Rocks,” a prose account written by Bo Juyi in 843. This account reveals Bo’s intentions to defend Liu’s obsessive collection of the rocks but it still contains important content, such as categorization and rank of rocks, aesthetic standards, and circumstances during that period. My study of ninth-century petromania suggests that there is no absolute distinction between the beautiful and the ugly, and that a sense of beauty may change depending on time and circumstances.
Based on existing sources, “A Pair of Rocks,” written by Bo Juyi in 826, is the first poem of the Lake Tai rocks in the history of Chinese literature. The poet was sympathetic toward its ugly and strange configurations. In 839, however, only twelve years after the poem was written, Bo Juyi, Liu Yuxi, and Niu Sengru gathered in Niu’s rock garden and expressed unanimous acclaim of the stone as a rarity. Such change of perception shows that the Lake Tai rocks began to be appreciated as an aesthetic object. The cult of the Lake Tai rocks is vividly described in “The Record of the Lake Tai Rocks,” a prose account written by Bo Juyi in 843. This account reveals Bo’s intentions to defend Liu’s obsessive collection of the rocks but it still contains important content, such as categorization and rank of rocks, aesthetic standards, and circumstances during that period. My study of ninth-century petromania suggests that there is no absolute distinction between the beautiful and the ugly, and that a sense of beauty may change depending on time and circumstances.
목차
1. 서론 : 중국의 괴석문화와 태호석
2. 백거이의 태호석 : 醜怪에 대한 연민
3. 우승유의 태호석 : 珍怪에 대한 찬사
4. 우승유의 태호석 수집에 대한 백거이의 변론
5. 결론
〈參考文獻〉
〈Abstract〉
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2015-910-002833036