지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The purposes of this study were to investigate the genre character of Fruitful Youth, a newly discovered prose collection of Lee Yong-ak, and examine the meanings of youth representation in two of its works, A 20-Year-Old Chemical Engineer and The Virgin of a Much Proud Land. The findings were as follows:
First, it is not easy to discriminate the genre characters of A 20-Year-Old Chemical Engineer and The Virgin of a Much Proud Land since they contain the character of both ocherk and novel. Indeed, it seems that the genre characters of ocherks written in the 1950s were very mixed, and what were defined as the features of ocherks by Lee Hyo-woon also corresponded largely to those of novels except for the comment feature, which means that it is practically difficult to distinguish ocherks from novels. The present study assumed that A 20-Year-Old Chemical Engineer and The Virgin of a Much Proud Land made a genre in the transitional stage from portrait(character) ocherks to novels on the grounds of their comment feature and the publication date, circulation, and genre fluidity and hybridity of Fruitful Youth. The study decided to place the two works in the changing process from ocherks to novels rather than subjecting them to either of the genres on the grounds that the genre distinction of ocherks was confusing, that portrait ocherks evolved into factions later, and that the two works were different in length and structure and defined A 20-Year-Old Chemical Engineer closer to a portrait ocherk and The Virgin of a Much Proud Land closer to a novel in terms of genre character.
Secondly, Lee Yong-ak embodied a youth hero in his works published in 1955 after returning to the literary circles of North Korea since the ban on writing in 1953. The positive youth heroes in A 20-Year-Old Chemical Engineer and The Virgin of a Much Proud Land were the embodiment of heroes required in North Korean literature during the “period of postwar rehabilitation and establishment of socialism.” Both the works had a character of growth tale and tried to lead the future of establishment of socialism through the process of the boy Kang Won-gap and the girl Jeon Chang-ok growing into youth heroes, respectively,
First, it is not easy to discriminate the genre characters of A 20-Year-Old Chemical Engineer and The Virgin of a Much Proud Land since they contain the character of both ocherk and novel. Indeed, it seems that the genre characters of ocherks written in the 1950s were very mixed, and what were defined as the features of ocherks by Lee Hyo-woon also corresponded largely to those of novels except for the comment feature, which means that it is practically difficult to distinguish ocherks from novels. The present study assumed that A 20-Year-Old Chemical Engineer and The Virgin of a Much Proud Land made a genre in the transitional stage from portrait(character) ocherks to novels on the grounds of their comment feature and the publication date, circulation, and genre fluidity and hybridity of Fruitful Youth. The study decided to place the two works in the changing process from ocherks to novels rather than subjecting them to either of the genres on the grounds that the genre distinction of ocherks was confusing, that portrait ocherks evolved into factions later, and that the two works were different in length and structure and defined A 20-Year-Old Chemical Engineer closer to a portrait ocherk and The Virgin of a Much Proud Land closer to a novel in terms of genre character.
Secondly, Lee Yong-ak embodied a youth hero in his works published in 1955 after returning to the literary circles of North Korea since the ban on writing in 1953. The positive youth heroes in A 20-Year-Old Chemical Engineer and The Virgin of a Much Proud Land were the embodiment of heroes required in North Korean literature during the “period of postwar rehabilitation and establishment of socialism.” Both the works had a character of growth tale and tried to lead the future of establishment of socialism through the process of the boy Kang Won-gap and the girl Jeon Chang-ok growing into youth heroes, respectively,
#월북 이후
#이용악
#『보람찬 청춘』
#<
#20세의 화학 기사>
#<
#자랑 많은 땅의 처녀>
#오체르크
#초상 오체르크
#장르
#청년 표상
#세대 갈등
#사회주의 건설
#after defecting to North Korea
#Lee Yong-ak
#Fruitful Youth
#A 20-Year-Old Chemical Engineer
#The Virgin of a Much Proud Land
#ocherk
#portrait ocherk
#genre
#youth representation
#generational conflict
#establishment of socialism
목차
1. 서론
2. 『보람찬 청춘』의 장르적 성격
3. 과학기술의 발전에 대한 기대와 선의의 경쟁자로서의 청년 표상 : <二?세의 화학 기사>
4. 사회주의의 미래를 건설하는 세대에 대한 기대와 불굴의 청년 표상 : <자랑 많은 땅의 처녀>
5. 결론
참고문헌
참고문헌 (20)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
식민지 대중문화와 ‘청춘’ 표상
김지영
한국학(구 정신문화연구)
2011
.09
한용운『님의 침묵』과 『십현담』ㆍ『십현담주해』의 상호텍스트성 : ‘정위(正位)’에 머물지 않는 선(禪)과 ‘방편’으로서의 시 쓰기를 중심으로
서준섭
한국현대문학연구
2014
.04
청춘의 영원한 트라이앵글, 괴로움, 외로움, 그리움
윤지영
계간 서정시학
2013
.03
1910년대 과학, 기술의 표상과 근대 소설 : 식민지의 미친 과학자들 (2)
김주리
한국현대문학연구
2013
.04
월북 이후 이용악 시에 나타난 청년의 표상과 그 의미
이경수
한국시학연구
2012
.12
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2015-800-002768988