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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This paper is to compare the characteristics of the transforming aspects of the poetic self in the works of a Korean Poet Yun Dong-ju and an Irish poet Seamus Heaney. Both poets described their own attitudes toward the outer world, first to nature and then to their colonial country. Yun Dong-ju deals his outer world as co-responsive as his mind and feeling. Thus the nature, in Yun’s works, is a medium to express the feeling of the poetic self. In other words the poet Yun describes nature as his own feeling towards his conditions. So the description of nature conceals the poetic persona’s feeling, which means the humanization of nature. With this process Yun’s works mirror the poet’s search for his consciousness and his way to respond to the outer world.
The nature, in the early works of Seamus Heaney, is suggested as a stimulus to the awakening of the poetic self toward the outer world, which changes and transforms itself. This awakening of Heaney’s poetic self leads to the progressive learning to judge and criticise his colonial oppressive condition in contemporary Ireland. With the awakening of outer world Heaney defines himself as a digger with his pen into the past and present condition in Ireland, and then suggests his attitude towards the colonial condition as that of ‘artful voyeur’. In this respect the poetic self in Heaney’s early works shows the complexity of self recognition as well as his views on the outer world mixed with pride as an Irish poet and shame as a colonial people and as a dumb observer.
The nature, in the early works of Seamus Heaney, is suggested as a stimulus to the awakening of the poetic self toward the outer world, which changes and transforms itself. This awakening of Heaney’s poetic self leads to the progressive learning to judge and criticise his colonial oppressive condition in contemporary Ireland. With the awakening of outer world Heaney defines himself as a digger with his pen into the past and present condition in Ireland, and then suggests his attitude towards the colonial condition as that of ‘artful voyeur’. In this respect the poetic self in Heaney’s early works shows the complexity of self recognition as well as his views on the outer world mixed with pride as an Irish poet and shame as a colonial people and as a dumb observer.
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Works Cited
Abstract
참고문헌 (16)
참고문헌 신청
최동호 / 2010 / 하늘과 바람과 별과 시 / 서정시학
Hartman, Geoffrey / 1975 / English Romantic Poets: Modern Essays in Criticism / Oxford UP
Heaney, Seamus / 1966 / Death of a Naturalist / Faber and Faber
Heaney, Seamus / 1969 / Door into the Dark / Faber and Faber
Heaney, Seamus / 1972 / Wintering Out / Faber and Faber
Hartman, Geoffrey / 1975 / English Romantic Poets: Modern Essays in Criticism / Oxford UP
Heaney, Seamus / 1966 / Death of a Naturalist / Faber and Faber
Heaney, Seamus / 1969 / Door into the Dark / Faber and Faber
Heaney, Seamus / 1972 / Wintering Out / Faber and Faber
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