지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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The thesis is a comparative study of the poetry of the surrealistic poets, Lee Sang (Korea, 1910-1937) and Paul Eluard (France, 1895-1952). We observed the most central poetic word for love, “amoureuse” image in the poems of the Korean and French poets that are representatives in surrealism. The study demonstrates the attempt to comparatively analyze how detailed “amoureuse”’s image is expressed and how it shows the characteristics of the significance as a poetic language.
The image of “amoureuse” shown in Lee Sang’s poem can be seen as a symbolic figure that expresses the love spirit that lies in the poet’s unconsciousness instead of being presented as a French word derived from the foreign language preference. The “amoureuse” expressed along with the geometric figures displays the poet’s autistic and broken love experiences in abstract forms, and can be seen as form of yearning for idealistic love that lies dormant within Lee Sang.
The “amoureuse” for Paul Eluard presented a cosmical drama based on the commune with woman, light, dream and assimilating and corresponding with nature, thus making the poetic word as the foundation of metaphysical love. Moreover, the unconscious love makes the poet idealize and is pictured through pure and mysterious poetic expressions.
In conclusion, despite the poets’ experimental and extreme poetic language and its artistic values, the expressions of love in the image of “amoureuse” for Lee Sang and Paul Eluard is the origin of the core poetic subject and language that dominates over their life and poetry. Moreover, the “amoureuse”, that can be classified into geometric and metaphysical figure, embodies the inner unconsciousness of automatism that the surrealist poets emphasize. Particularly, the image of the French word “amoureuse” for Lee Sang is longing language about genuine love, and can be seen as the symbolic poetic language that supports the universalism and surrealism that goes beyond the Korean poetic literature.
The image of “amoureuse” shown in Lee Sang’s poem can be seen as a symbolic figure that expresses the love spirit that lies in the poet’s unconsciousness instead of being presented as a French word derived from the foreign language preference. The “amoureuse” expressed along with the geometric figures displays the poet’s autistic and broken love experiences in abstract forms, and can be seen as form of yearning for idealistic love that lies dormant within Lee Sang.
The “amoureuse” for Paul Eluard presented a cosmical drama based on the commune with woman, light, dream and assimilating and corresponding with nature, thus making the poetic word as the foundation of metaphysical love. Moreover, the unconscious love makes the poet idealize and is pictured through pure and mysterious poetic expressions.
In conclusion, despite the poets’ experimental and extreme poetic language and its artistic values, the expressions of love in the image of “amoureuse” for Lee Sang and Paul Eluard is the origin of the core poetic subject and language that dominates over their life and poetry. Moreover, the “amoureuse”, that can be classified into geometric and metaphysical figure, embodies the inner unconsciousness of automatism that the surrealist poets emphasize. Particularly, the image of the French word “amoureuse” for Lee Sang is longing language about genuine love, and can be seen as the symbolic poetic language that supports the universalism and surrealism that goes beyond the Korean poetic literature.
목차
I. 서론
II. ‘아무르즈’와 기하학
III. ‘아무르즈’의 이상화
IV. ‘아무르즈’와 무의식
V. 결론
Works Cited
Abstract
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UCI(KEPA) : I410-ECN-0101-2015-800-002469024