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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.6
- 수록면
- 357 - 390 (34page)
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초록· 키워드
오류제보하기
This paper is to investigate a depiction for the fairy tales of Hwang Seonmi, “The Hen Who Dreamed She Could Fly,” and to know how to effect other special works by its features and aspects of the work. Depiction in fairy tales is divided in a depiction of character and a depiction of background and also a depiction of character is divided in the direct and the indirect depiction.
Direct description summarizes the character’s attributes directly. Description of this work is mainly indirect but also uses the direct description for passing the situation. Indirect descriptions are consist of making name, person’s appearance, behavior, dialogue and diction, and the like. It is predictable in future as the name, ‘Ipssak’ people’s and we can see the plot. The name of ‘Green hair’ emphasizes on the appearance of the person and the name of the ‘stranger’ highlights the plight of the characters. In addition, appearance, behavior, etc. depict the plight of people and situations, and it used implicit dialogue and onomatopoeia. In view point of a depiction of background, a look-up work space of ipssak represents it in accordance with the change of the place through which specifically describe the role of the displayed area. Time is from spring in the poultry farm to the spring of the following year and depict the events through the change of nature with ipssak.
When we summarized the characteristics of description of the work and the influence to other work, indirect rather than direct depiction mainly used portrayal. However, the indirect depiction only can not describe the perfect situation for reader, author finished the story using the direct depiction. Second, background depiction with an objective description indicates the situation and circumstances to inform ipssak by using the subjective descriptions. That is the psychological spacetime staying in the heart of ipssak. Third, to describe the birth and growth of many animals, maternal death, and the abstract and difficult emotion, we can use the description of the five senses of our body.
These depiction delivered that leads the topic of the work to a deeper meaning. The ipssak’s bravery for dream and the expanded maternal love play a important role to describe the subject of the work. In addition, due to these depictions, the plot has become also hard.
Direct description summarizes the character’s attributes directly. Description of this work is mainly indirect but also uses the direct description for passing the situation. Indirect descriptions are consist of making name, person’s appearance, behavior, dialogue and diction, and the like. It is predictable in future as the name, ‘Ipssak’ people’s and we can see the plot. The name of ‘Green hair’ emphasizes on the appearance of the person and the name of the ‘stranger’ highlights the plight of the characters. In addition, appearance, behavior, etc. depict the plight of people and situations, and it used implicit dialogue and onomatopoeia. In view point of a depiction of background, a look-up work space of ipssak represents it in accordance with the change of the place through which specifically describe the role of the displayed area. Time is from spring in the poultry farm to the spring of the following year and depict the events through the change of nature with ipssak.
When we summarized the characteristics of description of the work and the influence to other work, indirect rather than direct depiction mainly used portrayal. However, the indirect depiction only can not describe the perfect situation for reader, author finished the story using the direct depiction. Second, background depiction with an objective description indicates the situation and circumstances to inform ipssak by using the subjective descriptions. That is the psychological spacetime staying in the heart of ipssak. Third, to describe the birth and growth of many animals, maternal death, and the abstract and difficult emotion, we can use the description of the five senses of our body.
These depiction delivered that leads the topic of the work to a deeper meaning. The ipssak’s bravery for dream and the expanded maternal love play a important role to describe the subject of the work. In addition, due to these depictions, the plot has become also hard.
목차
1. 서론
2. 묘사의 기능과 종류
3.『마당을 나온 암탉』에 나타난 묘사 양상
4. 묘사의 특징과 효과
5. 결론
참고문헌
Abstract
참고문헌 (22)
참고문헌 신청
1. [단행본] - 황선미 / 2000 / 마당을 나온 암탉 / 사계절
2. [학위논문] - 김병연 / 2008 / 황선미 동화 연구 : '마당을 나온 암탉'을 중심으로 / 석사 / 한국교원대학교 교육대학원
3. [학위논문] - 김용식 / 2010 / 황선미 동화의 현실인식 연구 : <마당을 나온 암탉>을 중심으로 / 석사 / 한국교원대학교 교육대학원
4. [학위논문] - 박선영 / 2009 / 황선미 동화의 주제 연구 / 석사 / 경일대학교 산업대학원
5. [학위논문] - 우현옥 / 2010 / 황선미 동화의 공간 연구 / (석사 / 중앙대학교 예술대학원
2. [학위논문] - 김병연 / 2008 / 황선미 동화 연구 : '마당을 나온 암탉'을 중심으로 / 석사 / 한국교원대학교 교육대학원
3. [학위논문] - 김용식 / 2010 / 황선미 동화의 현실인식 연구 : <마당을 나온 암탉>을 중심으로 / 석사 / 한국교원대학교 교육대학원
4. [학위논문] - 박선영 / 2009 / 황선미 동화의 주제 연구 / 석사 / 경일대학교 산업대학원
5. [학위논문] - 우현옥 / 2010 / 황선미 동화의 공간 연구 / (석사 / 중앙대학교 예술대학원
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UCI(KEPA) : I410-ECN-0101-2015-800-001616912