지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
The works <Sahyanggok>, <manghyangga>, <Sahyangga>, <Wonbyeolhoegokyeera>, <Bunyeojatanga> are a new Gasa materials hitherto unknown to academia. <Sahyanggok>, <manghyangga>, <Sahyangga> was written by women who lived as a diaspora of colonial woman in Japan. <Wonbyeolhoegokyeera> and <Bunyeojatanga> was written by women who lived in waiting for her husband not to come back to home. Male’s motive of going to Japan was ‘making money’ in <Sahyangga> <Bunyeojatanga>, and ‘studing abroad’ in <Sahyanggok> <manghyangga> <Wonbyeolhoegokyeera>. Under the title of ‘Experience of Japan and Female Gasa in the colony period’ this study will research both Gasa types. This paper aims for probing the literary significance of these Gasa works.
In chapter 2, it presented outline of 5 Gasa materials and different editions, and explicated the writer and written time of each Gasa works. Most of these female writers born in a famous family at kyongbuk region. Most of these Gasa works was written in 1930s. In chapter 3, it analysed the life of female writers. Female writer"s life in Japan or the life waiting for her husband was determined by man. Female writer"s life was the life to be forced by man. In chapter 4, it analysed female writer"s life as a diaspora of colonial woman in Japan. As a diaspora of colonial woman in Japan, they desperately missed home country. True nature of home country to miss was not the family in law but her parents and place of birth. In chapter 5, it clarified the literary significance of these Gasa works. these Gasa works reflect the pain of our ordinary people in the colony period.
In chapter 2, it presented outline of 5 Gasa materials and different editions, and explicated the writer and written time of each Gasa works. Most of these female writers born in a famous family at kyongbuk region. Most of these Gasa works was written in 1930s. In chapter 3, it analysed the life of female writers. Female writer"s life in Japan or the life waiting for her husband was determined by man. Female writer"s life was the life to be forced by man. In chapter 4, it analysed female writer"s life as a diaspora of colonial woman in Japan. As a diaspora of colonial woman in Japan, they desperately missed home country. True nature of home country to miss was not the family in law but her parents and place of birth. In chapter 5, it clarified the literary significance of these Gasa works. these Gasa works reflect the pain of our ordinary people in the colony period.
목차
1. 머리말
2. 대상 작품의 개관과 고증
3. 강제된 여성의 삶
4. 식민지 여성의 일본 디아스포라
5. 문학사적 의미
6. 맺음말
참고문헌
【논문초록】
참고문헌 (21)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2015-900-001630848