지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
〈District 9〉(2009), the first feature film of Neill Blomkamp, is a SF movie produced in Hollywood, but has extraordinary value which deviates from the frame of the existing mainstream genre. Because 〈District 9〉has moved the typical elements of the genre SF from the future universe in the third world environment and so presents a new direction of SF movie.
South Africa, spatial background of the film, is now being recognized as the land of hope and unity, but at the same time the dual structure by rampant poverty, unemployment and crime is firmly embedded in society. The cause could be found in the apartheid, in the historical political tragedy. The director, born in South Africa, would experience the apartheid policy in the childhood directly or indirectly. Therefore 〈District 9〉 could be seen as a SF movie which shapes the historical and political issues experienced by director in the process of growth. Actually, film criticism estimates the political allegory or historical implications of the film.
But this study analyzes 〈District 9〉 through the perspective of multicultural look, not in the historical political frame of analysis. In this study would be considered how the (cultural-)subject in the movie gazes the stranger/others(-culture) and the multi-cultural look is shaped. Above all, the multi-cultural look here is a framework to interpret the encounter with the inferior aliens which performs essential narrative properties of SF genre. The result of analysis offers that 〈District 9〉, not only SF(science fiction) but also SSF(social science fiction), reflects the real problems of our multi-cultural society through an open ending.
South Africa, spatial background of the film, is now being recognized as the land of hope and unity, but at the same time the dual structure by rampant poverty, unemployment and crime is firmly embedded in society. The cause could be found in the apartheid, in the historical political tragedy. The director, born in South Africa, would experience the apartheid policy in the childhood directly or indirectly. Therefore 〈District 9〉 could be seen as a SF movie which shapes the historical and political issues experienced by director in the process of growth. Actually, film criticism estimates the political allegory or historical implications of the film.
But this study analyzes 〈District 9〉 through the perspective of multicultural look, not in the historical political frame of analysis. In this study would be considered how the (cultural-)subject in the movie gazes the stranger/others(-culture) and the multi-cultural look is shaped. Above all, the multi-cultural look here is a framework to interpret the encounter with the inferior aliens which performs essential narrative properties of SF genre. The result of analysis offers that 〈District 9〉, not only SF(science fiction) but also SSF(social science fiction), reflects the real problems of our multi-cultural society through an open ending.
목차
1. 들어가는 말
2. SF 장르와 다문화주의
3. 영화 <디스트릭트 9>
4. 나가는 말
참고문헌
Abstract
참고문헌 (1)
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UCI(KEPA) : I410-ECN-0101-2015-688-001343343