지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper analyzes the opening sequence of 〈The Hours〉 by Stephen Daldry(2002). As a ‘reading the cinematic text’, the purpose of this paper is to illuminate the use of the style in the opening sequence. Though the opening sequence has been less focused, this paper supposes that of 〈The Hours〉 is somewhat essential and powerful part which can be called ‘the cinematic’.
Through the mise-en-scene, cinematography, montage, and music, the opening sequence of〈The Hours〉converts the discontinuity into the continuity between three women-Virginia, Mrs. Brown, and Clarissa, and makes the intense image of similarity. In terms of mise-en-scene, the resemblance of actions of characters and same directions of actions provides the inner relationship which is inherent below the surface.
Cinematography emphasizes the similarity of the obscure and hidden female experiences and consciousness. The most remarkable of this sequence is the mechanism of montage. It can be said that this montage reminds the ‘montage of linkage theory’ by Vsevolod. I. Pudovkin. The ability of representing visual images to make a association of a concept is a key role of providing of sameness and relationship between three women. And the theme music by Philip Glass shows that it has the logical relationship with the film’s form through enforcing the similarity of three women.
Through the mise-en-scene, cinematography, montage, and music, the opening sequence of〈The Hours〉converts the discontinuity into the continuity between three women-Virginia, Mrs. Brown, and Clarissa, and makes the intense image of similarity. In terms of mise-en-scene, the resemblance of actions of characters and same directions of actions provides the inner relationship which is inherent below the surface.
Cinematography emphasizes the similarity of the obscure and hidden female experiences and consciousness. The most remarkable of this sequence is the mechanism of montage. It can be said that this montage reminds the ‘montage of linkage theory’ by Vsevolod. I. Pudovkin. The ability of representing visual images to make a association of a concept is a key role of providing of sameness and relationship between three women. And the theme music by Philip Glass shows that it has the logical relationship with the film’s form through enforcing the similarity of three women.
목차
1. 들어가는 말
2. 기타 사례 연구
3.〈디 아워스〉의 오프닝 시퀀스 분석
4. 맺는 말
참고문헌
Abstract
참고문헌 (33)
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UCI(KEPA) : I410-ECN-0101-2015-688-001343338