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자료유형
학술저널
저자정보
손대현 (경북대학교)
저널정보
한국어문학회 어문학 語文學 第123輯
발행연도
2014.3
수록면
191 - 214 (24page)

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초록· 키워드

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In this study, we are to reveal how <Sogunchulsaedo> on Wangsogun’s cross-border marriage has been handed down from China to Korea and the aspects of related painting poetry were. <Sogunchulsaedo> has been a material for paintings since the Northern Song and can be classified into paintings focusing only on cross-border marriage and paintings focusing on life after cross-border marriage. Since Korea has regarded Chinese writers and their works as the literary standard, Sogunchulsaedo is also likely to have been handed down from early and it can be identified through actual paintings and painting poetry. The most prominent feature of painting poetry related to Sogunchulsaedo is the remarkable description on the cross-border marriage scene. This can be characterized by the feature that the painting depicting cross-border marriage is directly poetized. The next feature is that deep sympathy on Wangsogun’s circumstances is expressed. Loyalty and fidelity for Han shown by Wangsogun lie in this sympathy. Deeply sympathizing with Wangsogun in political upheaval and ups and downs, noblemen have recognized Wangsogun as the symbol similar to them. Third, description recognizing Wangsogun as a being who lost her fidelity and criticizing her was not made. It can be said that this is because Wangsogun’s cross-border marriage has been recognized as loyalty for Han and the painting expressing sorrow and pain through cross-border marriage has been directly faced in Korea. Wangsogun related stories have been varied and handed down until modern times. Therefore, as a clue to explain the various aspects of Wangsogun related inheritance, this study can be said to be significant in terms of the exchange of Korea-China literature.

목차

1. 머리말
2. <昭君出塞圖>의 형성과 형상화의 양상
3. <昭君出塞圖>의 전래와 향유의 양상
4. <昭君出塞圖> 관련 제화시의 양상과 특성
5. 맺음말
참고문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2015-800-001371130