지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper deals with the birth of the Society for Research in Dramatic Art. In this group had Yun Baeknam, Hong Haesung, Yoo Chijin, including people who called Haewoimunhakpa. Until now it was explained difference between Haewoimunhakpain and the others. Even though it is important the common point of those people, the common denominator didn’t discuss and explain. But it is important that can explain combination and birth the group. It based on an inner motivity that had same the theatrical direction which was the national theatre. It can realize from their discourse that was value of classics like the folk play or masque performance, was from characteristic of ethnic or national. It was same theatrical ideal which was the national theatre from the national theatre of Europe. It was the national theatre which made nation and nation-state. However, the group had thank it could be possible national theatre in the little theater movement and it was limit that they had the thought. Nevertheless, it showed that their same theatrical intention was a new modern theatrical movement against theatre libre movement.
목차
1. 서론
2. 전통의 발견과 민속극의 가치
3. 국민극(國民劇), 새로운 신극의 모델
4. 국민극과 민중극의 동일시
5. 국민극운동과 소극장운동의 거리
6. 결론
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UCI(KEPA) : I410-ECN-0101-2015-800-001379252