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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.2
- 수록면
- 23 - 33 (11page)
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This is a study on the application of a dialectic way of thinking in terms of design methods, and has contents about the formation of new visual and the ways of process that are triggered by cognitive introspection.
A ccordingly, the study has its purposes in interpretation and recommendation of new methodological systems around dialectic principles and ways of thinking on the works of the Dutch Architecture Exhibition carried out in Korea in 2013, with the theme of “Reuse” among the aspects expanding since the reflexive modernization.
Firstly, the basic features of Dutch designs were connected to dialectic ways of thinking. After studying the basic concepts of dialectics from Greek philosophies to Kant, Hegel, Marx and Benjamin, the aspects of applying them onto creative works such as art, architecture and design were methodologically systematized. Through this process, it was confirmed that the existing concepts are newly rearranged rationally, logically and scientifically based on dialectic ways of thinking rather than subjectively or emotionally. From the study of the 12 art works, it was confirmed that the value of use and potential obstacles have been used as a design solution. Also, the process which is juxtaposed with the result by itself has been expressed and causes the alienation effect.
Therefore, such dialectic ways of thinking was organized into a procedural flow of contradictory recognition on situations, drive due to negativity, mutual penetration, mutual transformation, abstraction, verbalizing and creation of new concepts, and it was confirmed that such finding was valid in securing creative possibilities as ‘New Uses’ rather than ‘Re-uses’.
A ccordingly, the study has its purposes in interpretation and recommendation of new methodological systems around dialectic principles and ways of thinking on the works of the Dutch Architecture Exhibition carried out in Korea in 2013, with the theme of “Reuse” among the aspects expanding since the reflexive modernization.
Firstly, the basic features of Dutch designs were connected to dialectic ways of thinking. After studying the basic concepts of dialectics from Greek philosophies to Kant, Hegel, Marx and Benjamin, the aspects of applying them onto creative works such as art, architecture and design were methodologically systematized. Through this process, it was confirmed that the existing concepts are newly rearranged rationally, logically and scientifically based on dialectic ways of thinking rather than subjectively or emotionally. From the study of the 12 art works, it was confirmed that the value of use and potential obstacles have been used as a design solution. Also, the process which is juxtaposed with the result by itself has been expressed and causes the alienation effect.
Therefore, such dialectic ways of thinking was organized into a procedural flow of contradictory recognition on situations, drive due to negativity, mutual penetration, mutual transformation, abstraction, verbalizing and creation of new concepts, and it was confirmed that such finding was valid in securing creative possibilities as ‘New Uses’ rather than ‘Re-uses’.
목차
Abstract
1. 서론
2. 변증적 사유와 디자인
3. 네덜란드 디자인의 변증적 경향
4. RE;USE 건축디자인의 창발성과 변증적 사유방의 해석
5. 결론
참고문헌
참고문헌 (15)
참고문헌 신청
1. [단행본] - 강대석 / 1988 / 독일관념철학과 변증법 / 한길사
2. [학술대회논문] - 김홍중 / 2006 / 발터 벤야민의 파상력에 대한 연구 / 한국사회학회 사회학대회논문집
3. [단행본] - 디이터 반트슈나이더 / 2002 / 변증법이론의 근본구조 / 다산글방
4. [단행본] - 마이크 사이먼 토마스 / 2008 / Dutch Design: A History / University of Chicago Press
5. [학술지(정기간행물)] - 문무경 / 2012 / 드록디자인 활동에서의 네덜란드 방식에 관한 연구 (1993-2007) / 기초조형학연구 13 (3) : 113 ~ 124
2. [학술대회논문] - 김홍중 / 2006 / 발터 벤야민의 파상력에 대한 연구 / 한국사회학회 사회학대회논문집
3. [단행본] - 디이터 반트슈나이더 / 2002 / 변증법이론의 근본구조 / 다산글방
4. [단행본] - 마이크 사이먼 토마스 / 2008 / Dutch Design: A History / University of Chicago Press
5. [학술지(정기간행물)] - 문무경 / 2012 / 드록디자인 활동에서의 네덜란드 방식에 관한 연구 (1993-2007) / 기초조형학연구 13 (3) : 113 ~ 124
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