지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.12
- 수록면
- 89 - 111 (23page)
이용수
초록· 키워드
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For Baraka, a political activist, drama is the means of achieving the unity of political action and literary art, which has always been crucial to him. The Slave is a fable which deals with an imaginary revolution war through which Baraka is willing to give a lesson to his black people. The revolution is less important as a literal meaning than it is significant as an allegorical background for the conflicts within Walker. The physical violence and the emotional confrontation in the play are actually a projection of Walker’s subjective experience as a split personality.
The importance of exploiting a revolution as a plot and a dramatic form was twofold for Baraka; his plays threatened the white oppressor while entering into the discovery of his identity. Characters in the play are the archetype of some ideologies. Walker, a commander of the revolutionary army, is the representative of Black Nationalism or the Black Arts Movement while Grace and Easley are typical of assimilation and liberalism respectively. On any account Baraka thinks that liberalism and assimilation to the American culture are vices to black people who try to establish their own identity. Baraka insists that through crushing all American cultural matrix the black people will emancipate themselves from them, and obtain a true identity.
The importance of exploiting a revolution as a plot and a dramatic form was twofold for Baraka; his plays threatened the white oppressor while entering into the discovery of his identity. Characters in the play are the archetype of some ideologies. Walker, a commander of the revolutionary army, is the representative of Black Nationalism or the Black Arts Movement while Grace and Easley are typical of assimilation and liberalism respectively. On any account Baraka thinks that liberalism and assimilation to the American culture are vices to black people who try to establish their own identity. Baraka insists that through crushing all American cultural matrix the black people will emancipate themselves from them, and obtain a true identity.
목차
I. 서론
II. 흑인민족주의와 백인자유주의의 대결
III. 자아회복을 위한 혁명
IV. 결론
인용문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2015-840-001080569