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논문 기본 정보

자료유형
학술저널
저자정보
김현섭 (고려대학교)
저널정보
대한건축학회 대한건축학회 논문집 - 계획계 大韓建築學會論文集 計劃系 第29卷 第11號
발행연도
2013.11
수록면
201 - 208 (8page)

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This paper aims at researching on crises manifested in the American architect Lebbeus Woods"s (1940-2012) experimental works. In particular, a "war" as an extreme expression of a crisis had been a major theme of his projects in 1990s, for example, warfare in the traditional sense as in Sarajevo, warfare of restricting capital as in Havana, and warfare of building against natural forces as in San Francisco. His conceptual healing process of a war-damaged building with the phases of "injection", "scab", "scar" and "new tissue" is a biological metaphor, more symbolic than realistic. And his ideas of the "heterarchy" and the "freespace", characterised arguably by "the assemblage of fragments and their folded ways", could be seen as a critical reaction against modern rationality and mass consumer/technological culture. Architecture as an instrument for social transformations is a political act to Woods, and he has proposed "anarchitecture", an architecture for an anarchic society. Finally, this paper asserts that his heterarchic anarchitecture implies "a fundamentally unlivable modern condition", being accompanied by "the uncanny" as an aesthetic effect; and that the visionary Woods"s projects, though mostly remained unbuilt, should be considered meaningful since they have let us realise existing crises in the present society and see modern culture with a critical view.

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Abstract
1. 서론
2. 레비우스 우즈의 위기에 대한 자각과 대응
3. 우즈의 위기가 표상하는 정치적 함의와 미학적 효과
4. 결론
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UCI(KEPA) : I410-ECN-0101-2014-500-003501399