지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Much effort has been devoted over the past few centuries to presenting China to the West in the English language, beginning with the classical sinology of nineteenth-century Britain and reaching a climax through late-twentieth century Chinese Studies in the States, carried out mostly in departments of East Asian languages and literature/cultures. Invariably there is one shared element in these approaches: translation. In our age, the pervasive use of English as the language of academic discourse, combined with the increased hegemony of English in fields beyond those of business, recreation and diplomacy, means that the “Westernization” of forms of knowledge related to Chinese culture and tradition has become inescapable. In the new linguistic imperialism, what is prominent are the misrepresentation, distortion and manipulation carried out in connection with the translation of ideas from Chinese into English. The present article focuses on ideas rather than texts in order to understand the cannibalization of one language by another that has occurred in translation. The example chosen is the translation of a key literary term-xiaoshuo (literally “small talk” but often translated as “fiction”)-which appears in academic writings published by American Sinologists in the past few decades, in which the epistemological gap between the Chinese and English terms is artificially bridged.
목차
1. Xiaoshuo as “the Novel”
2. Xiaoshuo as “Fiction”
3. To Translate, Or to Transliterate?
4. Sinology and the Translational Approach
5. Conclusions
References
Abstract
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UCI(KEPA) : I410-ECN-0101-2014-800-002832641