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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.9
- 수록면
- 71 - 96 (26page)
- DOI
- 10.14431/aw.2013.09.29.3.71
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초록· 키워드
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This article analyzes Maxine Hong Kingston’s The Woman Warrior: Memoirs of a Girlhood Among Ghosts . how she constructs a Chinese diasporic feminist identity via autobiographical, familial, and ethnic collective remembrance. In analyzing this memoir, this article is concerned with how gender, identity and memory are interrelated and how they are performed in the Chinese diaspora in America. In rereading the memoir for personal, familial and collective remembrance practices, this essay suggests that Kingston conveys three mnemonic traces: memory as archeological excavation and memory as continuous revision and retranslation; memory as a tool to challenge and to subvert traditional gender ideology; and the relation between memory and storytelling, in which Kingston equates memory and voice with storytelling and silence with oppression. Kingston uses memory narratives as a strategic method to question traditional system of gender identities, roles and expectations. She excavates cultural and familial stories or collective memories, and then revises or retranslates them to understand her place and identities in America and in the Chinese diaspora. Kingston is conscious that the process of recovering, retranslating, and transmitting personal, familial, and ethnic collective memory is always fractured, negotiated, and a product of struggle. Hence it destabilizes constructions of identity and community formation along with knowledge production. Kingston notes that women are frequently the transmitters of memory . personal, familial, cultural, and collective. through their storytelling. This article illustrates that ethnic collective memory, like cultural identity, is a site of heterogeneity and difference, where some memories can perpetuate homeland and diasporic patriarchy while other memories can provide more liberating narratives for women and young girls. The Woman Warrior is an attempt to rewrite both Chinese diasporic memory by challenging its sexism and the national official memory of the United States by pointing to its history of gender inequality, racism, and Orientalism.
목차
Abstract
Introduction: Maxine Hong Kingston’s Writing and Mnemonic Traces
The Politics of Social or Collective Memory and “Mnemonic Communities”
The Woman Warrior: Female Ethnic Diasporic Autobiography or Fiction?
Memory as Archaeological Excavation and Memory as Continuous Revision or Retranslation
Memory as a Tool to Expose and Subvert Traditional Gender Ideology
Memory and Storytelling
Conclusion
References
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