지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Through this thesis I intended to study about constructing principle of main character in screenplay. As a result, I made clear 11 elements: Desire, Antagonist and Supporter, Obstacle, Past, concrete episode, Irony, Motif, Dialogue and Aphorism, Sense of humor, Habit and outward appearance, variation and consistency. For example, I explained it by 〈Citizen Kane〉(directed by Orson Welles) as main text how them operate practically. Add to that, I cited another classic movies as sample. I don’t think that those elements can be applied to all films absolutely. But when we write script, it can be applied generally. Above all, I think that the most important principle is ‘desire’. What the main character do and how does his target achieve comes from it.
In the film not script, main principle for making strong and attractive character can be summarized three elements: scriptwriting, acting, directing. ‘Citizen Kane’ I mentioned as central example was applied perfectly those three elements in the film.
In the film not script, main principle for making strong and attractive character can be summarized three elements: scriptwriting, acting, directing. ‘Citizen Kane’ I mentioned as central example was applied perfectly those three elements in the film.
목차
1. 머리글
2. 시나리오에서 캐릭터 구축의 기본 요건
3. 〈시민 케인〉의 주인공 ‘찰스 포스터 케인’의 배경
4. 시나리오에서 메인 캐릭터의 구축원리
5. 마무리하며
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2014-688-002402738