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Recently there has been an increased interest in animated documentary, especially since the release of Ari Folman’s Waltz with Bashir(2008), which won wide acclaim. And many film theorists welcome the appearance of such hybrid genre. But it seems to this author that often, in the process of their welcoming, those theorists overemphasize the role and importance of animation in animated documentary. A theorist even says that “animation is a mode perfectly suited to documentary production.”
In this article the author argues that even though animation can certainly contribute to a documentary in terms of film art, it does not contribute to the documentary as such. What this means is that animation, however well or truthfully done, does not make a film a documentary by itself. What makes a film a documentary is the same whether it is animated or not. Animated documentaries are documentaries either because they are assertively narrated (or subtitled) or because the sound track is actual (like real interviews). Not because they are well-animated.
In this article the author argues that even though animation can certainly contribute to a documentary in terms of film art, it does not contribute to the documentary as such. What this means is that animation, however well or truthfully done, does not make a film a documentary by itself. What makes a film a documentary is the same whether it is animated or not. Animated documentaries are documentaries either because they are assertively narrated (or subtitled) or because the sound track is actual (like real interviews). Not because they are well-animated.
목차
1. 서론
2. 다큐멘터리의 조건
3. 애니메이션 다큐멘터리란?
4. 애니메이션 다큐멘터리에서 이미지와 사운드의 관계
5. 애니메이션 다큐멘터리의 특징
6. 결론
참고문헌
Abstract
참고문헌 (12)
참고문헌 신청
1. [단행본] - Nichols, Bill / 1981 / Ideology and the Image / Indiana University Press
2. [단행본] - Roscoe, Jane / 2001 / Faking it: Mock Documentary and the Subversion of Factuality / Manchester University Press
3. [단행본] - Ward, Paul / 2006 / Documentary: The Margins of Reality / Wallflower Press
4. [학술지(정기간행물)] - 강지원 / 2011 / 애니메이티드 다큐멘터리에 재현된 리얼리티 : <바시르와 왈츠를>을 중심으로 / 애니메이션연구 7 (3) : 7 ~ 24
6. [학술지(정기간행물)] - 한상정 / 2009 / 아리 폴만의 <바시르와 왈츠를>에 대한 연구 현실·역사·시의 종합으로서의 애니메이션 / 애니메이션연구 5 (3) : 263 ~ 277
2. [단행본] - Roscoe, Jane / 2001 / Faking it: Mock Documentary and the Subversion of Factuality / Manchester University Press
3. [단행본] - Ward, Paul / 2006 / Documentary: The Margins of Reality / Wallflower Press
4. [학술지(정기간행물)] - 강지원 / 2011 / 애니메이티드 다큐멘터리에 재현된 리얼리티 : <바시르와 왈츠를>을 중심으로 / 애니메이션연구 7 (3) : 7 ~ 24
6. [학술지(정기간행물)] - 한상정 / 2009 / 아리 폴만의 <바시르와 왈츠를>에 대한 연구 현실·역사·시의 종합으로서의 애니메이션 / 애니메이션연구 5 (3) : 263 ~ 277
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UCI(KEPA) : I410-ECN-0101-2014-688-002402652