지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study is focused on the role and achievement of the Seohwa Misulhoe (書畵美術會 Association of Calligraphy and Painting) formed in the early 20th century as one of the Korea’s first art institutions contributing to the production of distinguished artists and bridging the traditional and modern paintings and calligraphic works. Despite the significant role it played, the institution is today largely related with an outdated, pre-Modern method of learning via imitating old masters.
The main discussion deals with the value of the institution in connection with the historical significance of 1910s, conservatism in art circles, conservative reformist nature of its support groups, and comparison between the association and other organizations engaging in palace affairs during the period. Teachers working in the association were called hwasa (畵師 painting masters) and took over some of the functions that had been performed by Dohwaseo (圖畵署 the Royal Art Council), including providing the court with human resources required for, for instance, the publication of uigwe (儀軌 the royal protocols). The situation led the Seohwa Misulhoe members to train themselves to improve the techniques related with various state events, resulting in the maintenance of conservative tradition of instructions.
The study also contains a discussion about the association’s transition from Seohwa Misulwon (書畵美術院 the Painting and Calligraphy Society) and operation through the discovery and research of new materials. The materials include a record about a Japanese who participated in the association’s first graduation in 1914. Other materials used for the discussion of the research activities held in the Seohwa Misulhoe school include a collection of textbooks, the Shanghai-issued painting manuals, and studies made and owned by Yi Yong-geol, a student who attended the institution for the longest period of time until its close.
The main discussion deals with the value of the institution in connection with the historical significance of 1910s, conservatism in art circles, conservative reformist nature of its support groups, and comparison between the association and other organizations engaging in palace affairs during the period. Teachers working in the association were called hwasa (畵師 painting masters) and took over some of the functions that had been performed by Dohwaseo (圖畵署 the Royal Art Council), including providing the court with human resources required for, for instance, the publication of uigwe (儀軌 the royal protocols). The situation led the Seohwa Misulhoe members to train themselves to improve the techniques related with various state events, resulting in the maintenance of conservative tradition of instructions.
The study also contains a discussion about the association’s transition from Seohwa Misulwon (書畵美術院 the Painting and Calligraphy Society) and operation through the discovery and research of new materials. The materials include a record about a Japanese who participated in the association’s first graduation in 1914. Other materials used for the discussion of the research activities held in the Seohwa Misulhoe school include a collection of textbooks, the Shanghai-issued painting manuals, and studies made and owned by Yi Yong-geol, a student who attended the institution for the longest period of time until its close.
목차
Ⅰ. 머리말
Ⅱ. 근대 서화교육의 萌芽
Ⅲ. 書畵美術會의 설립과정과 운영
Ⅳ. 書畵美術會 講習所의 서화교육
Ⅴ. 맺음말
참고문헌
ABSTRACT
참고문헌 (17)
참고문헌 신청
1. [기타자료] - 고려대학교박물관 / 2009 / 근대 서화의 요람, 耕墨堂: 石丁 安鍾元家 기증 기념전
2. [단행본] - 김윤수 / 2006 / 한국미술 100년 100 Years of Korean art 1 / 한길사
3. [단행본] - 김은호 / 1977 / 書畵百年 / 중앙일보사
4. [학술지(정기간행물)] - 강민기 / 2007 / 근대전환기 한국화단에의 日本畵 유입과 한국화가들의 일본체험: 1890년대부터 1910년대까지 The Transmission of Japanese Style Painting in Korea from 1890s to 1910s / 美術史學硏究 253
5. [단행본] - 강민기 / 2007 / 근대 화단 형성기 雲養 金允植과 伊藤博文의 역할, In 시각문화의 전통과 해석: 정재 김리나 교수 정년퇴임기념 미술사논문집 / 예경
2. [단행본] - 김윤수 / 2006 / 한국미술 100년 100 Years of Korean art 1 / 한길사
3. [단행본] - 김은호 / 1977 / 書畵百年 / 중앙일보사
4. [학술지(정기간행물)] - 강민기 / 2007 / 근대전환기 한국화단에의 日本畵 유입과 한국화가들의 일본체험: 1890년대부터 1910년대까지 The Transmission of Japanese Style Painting in Korea from 1890s to 1910s / 美術史學硏究 253
5. [단행본] - 강민기 / 2007 / 근대 화단 형성기 雲養 金允植과 伊藤博文의 역할, In 시각문화의 전통과 해석: 정재 김리나 교수 정년퇴임기념 미술사논문집 / 예경
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-600-003194788