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논문 기본 정보

자료유형
학술저널
저자정보
김종진 (건국대학교)
저널정보
한국실내디자인학회 한국실내디자인학회 논문집 한국실내디자인학회 논문집 제20권 제6호
발행연도
2011.12
수록면
44 - 52 (9page)

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초록· 키워드

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Louisiana Museum of Modern Art near Copenhagen is the most visited art museum in Denmark. It was originally founded by the director of the time, Knud W. Jensen and designed by two Danish architects, Vilhelm Wohlert and Jørgen Bo. The first part of the museum was built and opened to the public in 1958. The first part consisted of just a few exhibition spaces and glass corridors. But museum has been expanded step by step into a large park-like museum throughout 40 years of time. Louisiana museum has a unique environment in which art, architecture and nature are inter-related together. There was a very clear background for this museum atmosphere that was created by Knud W. Jensen from the very beginning. He wanted to make "a sculptural park" or "a low pavilion in the park". The concept of "park" was the key element. The architects, especially Vilhelm Wohlert who studied at the western area of the United States and influenced by the bay area architecture as well as the oriental wooden structure, interacted with the director"s idea fully and made an invisible architecture in which "Experience of Space" is the most important aspect. This thesis aims to analyze several crucial spaces of the museum and to find a hidden design characteristics. Chapter 2&3 explains general backgrounds and main design philosophy. Chapter 4 studies each parts" spatial experience and design methods with 3-dimensional diagrams. Chapter 5 tries to make an overall design characteristics that underlines the whole museum environment. The significance of Louisiana museum is not only in the fact that it is the most visited, but also in the fact that the role of architecture is to make a better environment where human and art are harmonized together within nature. The utopian idea of the founder started in doubt almost 50 years ago has been already successful in this small but vibrant park.

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Abstract
1. 서론
2. 루이지아나 현대미술관의 장소적 상황 및 설립배경
3. 경험 중심의 미술관 설계 과정
4. 주 동선을 바탕으로 한 개별 공간의 경험 및 설계특성 분석
5. 공간경험 및 설계특성 종합분석
6. 결론
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