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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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In order to explain the character-composition of the Simplified Chinese character, there have been three principles explored by Soyoung Yim and Dongpio Che, on the basis of the traditional character-composition, Six Categories[六?]. Three principles, however, just refer to the structure of 301 characters (9 characters of them overlapped with the remainder) out of the basic 482 Simplified Chinese characters. This essay is to analyze the remainder, 190 characters, which have been left unexplained, on the same Six Categories, including them in the category of the Character of Simplified-Popularized Form, thus the Fourth character-composition principle of the Simplified Chinese character being newly suggested.
Simplified-Popularized Form[?易俗成化字] refers to one of the main composition principles of Simplified Chinese Characters[?化字], being opposed to ‘Signifier[符?化]’ of the Square Ornamental Character[??]. The former is a kind of simplified structure of Chinese strokes, as shown chiefly in the Running and Cursive Hand[草?], the strokes of which are linked with each other, or in the Popularized Form[俗字].
Among the 190 characters of supposed Simplified-Popularized Form, this essay is analyzing the characters, in which same component is presented at least in more than one character, excepting those absolutely different from each other. And, cause of the space limited, just 52 characters, out of the object of analysis amounting to a half of 190 characters, are analyzed in view of the traditional character-composition of Six Categories, which is embodied in the Simplified-Popularized Form of Simplified Chinese Character.
When the traditional character composition principle of the Simplified-Popularized Form is compared with that of the Simplified Chinese Characters, five categories of variation could be induced.
Simplified-Popularized Form[?易俗成化字] refers to one of the main composition principles of Simplified Chinese Characters[?化字], being opposed to ‘Signifier[符?化]’ of the Square Ornamental Character[??]. The former is a kind of simplified structure of Chinese strokes, as shown chiefly in the Running and Cursive Hand[草?], the strokes of which are linked with each other, or in the Popularized Form[俗字].
Among the 190 characters of supposed Simplified-Popularized Form, this essay is analyzing the characters, in which same component is presented at least in more than one character, excepting those absolutely different from each other. And, cause of the space limited, just 52 characters, out of the object of analysis amounting to a half of 190 characters, are analyzed in view of the traditional character-composition of Six Categories, which is embodied in the Simplified-Popularized Form of Simplified Chinese Character.
When the traditional character composition principle of the Simplified-Popularized Form is compared with that of the Simplified Chinese Characters, five categories of variation could be induced.
목차
1. 서론
2. 簡易俗成化에 구현된 편방
3. 결론
〈參考文獻〉
〈ABSTRACT 〉
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UCI(KEPA) : I410-ECN-0101-2014-800-002497300